Posted in Uncategorized, tagged "Trumbo", Bryan Cranston, Dalton Trumbo, Helen Mirren, Hollywood blacklist, Hollywood Ten, Jay Roach, John Goodman, Louis C.K. on November 24, 2015 |
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Bryan Cranston as screenwriter Dalton Trumbo
“TRUMBO” My rating: B
124 minutes | MPAA rating: R
Bryan Cranston is very good as Dalton Trumbo, the screenwriter/Communist/bon vivant/savage wit who won two Oscars under pseudonyms while blacklisted for his politics.
But who would have predicted that “Trumbo” would practically be stolen out from under the multiple Emmy winner by Helen Mirren and John Goodman?
It’s a surfeit of riches.
Dalton Trumbo was contradictory, infuriating, self-righteous, pompous, and wickedly funny. He was very well paid and lived on a sprawling California ranch (earning criticism for being a “swimming pool Soviet”) but appears to have been utterly sincere about making the United States a better place.
He joined the Communist Party of the U.S. largely out of his opposition to fascism in Europe (and, let’s be honest, at home as well). That came back to bite him in the ass after WWII when America went Commie crazy and the House Un-American Activities Committee subpoenaed Trumbo and other Hollywood leftists in a search for Red influence in popular entertainment.
Ten of these unfriendly witnesses refused to answer questions, standing on their Fifth Amendment rights and the fact that joining the Communist Party was perfectly legal.
They were convicted of contempt of Congress (Trumbo publicly acknowledged that he was indeed hugely contemptuous of the bullying Congress), spent a year in prison and emerged to find themselves unable to work in the film or television industry.
Most saw their careers ruined. Trumbo began cranking out screenplays under fake names. Much of his work of this period was pure exploitative schlock, but two of his scripts — for “Roman Holiday” and “The Brave One” — won Oscars, although of course Trumbo could not acknowledge they were his work.
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Ryan Gosling as The Driver
“DRIVE” My rating: B- (Opens wide on Sept. 16)
100 minutes | MPAA rating: R
There are parts of “Drive” that I absolutely loved.
There were others that made me shake my head in disbelief.
Talk about leaving a film with mixed feelings!
“Drive” cements my suspicion that Ryan Gosling is an absolutely great actor.
And it introduces to mainstream American audiences Nicolas Winding Refn, a Danish filmmaker of tremendous talent.
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…to open the Emmy logjam
Bryan Cranston won’t pick up a fourth Emmy this year for “Breaking Bad,” but only because he wasn’t eligible. The show was on hiatus this season.
Hey, I like Cranston. Great performance in a great role.
But I hate the whole Emmy dynasty thing where a performer wins year after year.
I especially hate it because unlike films, where an actor plays a totally different character with each new project, TV actors find themselves winning Emmys for characters they may have created years earlier.
Granted, characters on TV can grow and change over time, but most of the hard work was done that first season.
Here’s my proposal: Once an actor wins an Emmy for playing a particular character, he/she cannot be nominated for that same character for, say, three years.
It will open up the process, it will put fresh faces and characters into the running, it will spread around the honors and prevent the whole awards thing from becoming an excercise in deja vu.
Thank you for your consideration.
| Robert W. Butler
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