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Billy Connolly, Maggie Smith, Tom Courtenay and Pauline Collins

Billy Connolly, Maggie Smith, Tom Courtenay and Pauline Collins

“QUARTET” My rating: B- (Opens January 25 at the Tivoli and Glenwood Arts)

98 minutes | MPAA rating: PG-13

“Quartet,” the movies’ latest exercise in geriaxploitation, is about old folks living in a not-for-profit British community for retired musicians.

It’s  “The Best Exotic Marigold Hotel” with operatic solos instead of sitars and tablas.

It’s also the feature film directing debut of actor Dustin Hoffman, who doesn’t appear on the screen but proves himself more than capable of calling the shots behind the camera. “Quartet” isn’t astoundingly cinematic, but Hoffman clearly knows how to work with actors.

Of course it helps to have an A-list cast of graying Brit thesps on hand.

Set in a formerly grand English country house which now has been divided up into apartments, Ronald Harwood’s screenplay (based on his stage play) centers on the arrival of Jean Horton (Maggie Smith), a once world-famous soprano whose shaky finances have forced her to give up her London townhouse. Now she’s come to Beecham House to live among her aged peers.

Not that she’s looking forward to it. Group living is a real comedown for the imperious Jean, who spends the first few days taking her meals in her room and listening to old LPs of her performances.  There’s a touch of the imperious Lady Violet Crawley (of “Downton Abbey,” natch) in Smith’s performance, but also a welcome vulnerability.

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