“THE IMPOSTER” My rating: A- (Opening Nov. 9 at the Tivoli)
99 minutes | MPAA rating: R
If a Hollywood feature film came along to tell the same story related in the new doc “The Imposter,” I’d write it off as a typical bit of Tinseltown overstatement and the product of a screenwriter with a tenuous grasp on reality.
(In fact, it did become a feature film, 2010’s “The Chameleon” with Ellen Barkin and Famke Janssen. The movie never played in KC.)
But “The Imposter” is the real deal, a hair-raising, gut knotting true-life tragedy that will leaving you brooding and marveling.
In 1994 13-year-old Nicholas Barclay failed to return to his suburban San Antonio home after spending an evening playing video games on a nearby military base. No trace of him was ever found.
His mother, Beverly Dollarhide, older sister Carey Gibson, and other family members mourned, got angry, sought answers, and finally accepted that they’d never know what happened to Nick.
Then, three years later, they received word from authorities in a small Spanish city that Nick had been found. He had a story of being kidnapped, kept as a sexual slave, and living as a homeless teen. Now he was being held in a youth facility, waiting for a family member to come get him.
Only it wasn’t Nicholas at all, but rather a 23-year-old French man named Frederic Bourdin. Bourdin’s eyes and hair were a different color than Nicholas’ and he spoke English with a French accent. Yet Nicholas’ blue-collar clan brought him to America, embraced him, nurtured him, and got him therapy for the many traumas he had experienced. They were completely taken in.




