“THE DEVIL ALL THE TIME” My rating: B-
138 minutes | MPAA rating: R
“Some people are born just so they can be buried.”
That glum observation, spoken by a corrupt lawman, pretty much sums up “The Devil All the Time,” a slow-bubbling stew of old-time religion and blue-collar mayhem.
Imagine a partnership of Flannery O’Conner and Jim Thompson. It’s pretty unpleasant…but has been acted and produced with enough brio to keep us hanging on.
Directed by Antonio Campos (“Christine,” TV’s “The Sinner”) and scripted by Campos and his brother Paulo (from the novel by Donald Ray Pollock), this is a saga covering 20 years and three generations of a family (two families, actually) living in southern Ohio and nearby West Virginia.
It’s a world populated by devotees of Ol’ Time Religion, feral and/or delusional preachers, dirty cops and a couple of serial killers who prey on hitchhikers.
The whole thing is narrated by novelist Pollock, who has just the right down-home voice (half sincerity, half deadpan sarcasm, hint of a twang) to pull it all together.
The story? Where to begin…”The Devil All the Time” is all over the place.
It starts in 1945 with the return from combat of Willard Russell (Bill Skarsgard), still haunted by what he experienced and rebelling at God. It then follows Willard’s son Arvin (Tom Holland) through a traumatic childhood.
For both father and son religion is more a burden than a comfort, in large part because of the hypocrisies so lavishly displayed by clergymen like the bombastic Roy Laferty (Harry Melling in spectacularly hypnotic/creepy form) or the snakily seductive Preston Teagardin (Robert Pattinson), who preys on the naive young things of his congregation.