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Archive for the ‘Popcorn movies’ Category

“KUNG FU PANDA 2”  My rating: C

minutes | Rating: G

“Kung Fu Panda 2” is one of the most beautiful animated films ever, with fantastic action scenes, astonishingly detailed “sets” and a filmic sense worthy of any live-action epic.

It’s a good thing it’s so gorgeous, because dramatically it’s pretty much a wash.

Not awful. But not memorable.

This sequel assembles most of the voices from the first “Panda,” especially Jack Black (more…)

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“THE HANGOVER PART II”   My rating: B

102 minutes | Rating: R

In comedy funny trumps everything else.

“The Hangover Part II” isn’t smarter than, say, “Bridesmaids.” And it has little of the emotional heft of a truly great comedy like “Local Hero” or “Groundhog Day.”

But it’s still about the funniest thing to hit the screen in a long while — providing you’ve got a high threshold for raunchy outrageousness.

You can’t accuse its makers of messing around too much with a successful format. Despite a change of locale — sinful Bangkok takes the role previously played by sinful Las Vegas — this sequel is a recycling of characters and incidents from the first film. That might be a liability if it wasn’t so damn hilarious.

(more…)

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“PIRATES OF THE CARIBBEAN: ON STRANGER TIDES”  My rating: C

137 minutes | PG-13

“On Stranger Tides,” the fourth entry in Disney’s phenomenally profitable “Pirates of the Caribbean” franchise, is at least an improvement over the last two sequels.

It’s still not a particularly good movie (though it remains hugely impressive from a technical standpoint) but at least it didn’t make me want to pound a handspike into my forehead.

“Pirates” 2 and 3 were runaround movies in which the principal players would first run over here, then run over there without a whole lot of reason. Basically director Gore Verbinski was mounting special effects extravaganzas in which plot and characters were a distant afterthought.

Now helmed by Rob Marshall (who followed up on his smash “Chicago” with the dismal “Memoirs of a Giesha” and “Nine” and badly needs a commercial hit), the franchise has jettisoned (more…)

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There’s absolutely no reason why any of us must see “Thor,” the latest Marvel Comics big-screen adaptation.

The good news is that if you do see it, there’s no harm done.

This is a surprisingly effective (I’m tempted to call it smart) addition to the superhero canon, a moderate success for a most unlikely filmmaker:  Kenneth Branagh.

The Irish-born Branagh, of course, is the theatrical wiz kid who burst upon the cinema scene with his terrific “Henry V” back in 1989 and who has periodically created and/or appeared in other Shakespearean films, among them “Othello,” “Hamlet” and “Much Ado About Nothing.”

His non-Bard movies, on the other hand, have been flops. While Branagh has proven himself a valuable supporting player in a variety of worthwhile films (“Rabbit Proof Fence,” the Harry Potter franchise), his credibility as a filmmaker for years has been on the skids. (more…)

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