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“KLOWN” My rating: B-  (Opening August 3 at the Alamo Draughthouse)

89 minutes | MPAA rating: R

Featuring a “Bad Santa” level of reprobate behavior and more embarrassing situations than “The Hangover” and “There’s Something About Mary” combined, “Klown” may be that rarest of cinematic beasts: a foreign film that appeals to mainstream tastes.

This Danish comedy from Mikkel Norgaard teams two infantile adult males with a 12-year-old introvert and plops them all down in a canoe trip. Whatever could go wrong does go wrong.

Frank (Frank Hvam) is a gangly, goofy middle-aged doofus who has just learned his girlfriend is pregnant. Perfectly aware of his irresponsible proclivities, she’s considering an abortion.

To prove his paternal potential, Frank agrees to look after his young nephew Bo (Marcuz Jess Petersen) for an extended weekend. They’ll take a canoe trip with Frank’s friend Casper (Casper Christensen).

Bo is an uncommunicative phlegmatic lump obsessed with his penis size. Casper is an omnivorous horndog who sees the canoe trip as an opportunity to jump high school girls and to attend a convention of international hookers. No, seriously. Continue Reading »

Colin Ferrell

“TOTAL RECALL”  My rating: C

 118 minutes | MPAA rating: PG-13

Director Len Wiseman  (of the “Underworld” series) gets paid millions of dollars to make movies in which his hot wife (Kate Beckinsale) dresses up in tight black outfits and kicks, punches and shoots other guys.

This must be one great job.

Wiseman’s latest is “Total Recall,” a remake/reboot of the 1990 Arnold Schwarzenegger sci-fi film. And, sure enough, there’s  Beckinsale, once again in black and furiously kicking, punching and shooting.

But beyond the thrill of a bad-tempered Mrs. Wiseman generating a high body count, there’s not a whole lot to recommend this “Recall,” which delivers tons of CG eye candy and some overactive plotting but not one iota of recognizable human emotion.

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Some admirers of Kenneth Lonergan’s “Margaret” are calling the film a masterpiece.

I won’t go that far.  I like to give movies a decade or so before laying down that sort of pronouncement.

But “Margaret” is certainly a very good movie. It may very well be the best movie you have never heard of.

“Margaret” never played in Kansas City. For that matter, it barely played outside New York despite its astounding cast (Anna Paquin, Matt Damon, Alison Janney, Matthew Broderick, Mark Ruffalo) and awesome credentials (it was written and directed by playwright Lonergan, whose 2000 film “You Can Count on Me” is quite possible the Best Independent Movie Ever).

Filmed in 2006, “Margaret” went through a torturous post-production period. Lonergan reportedly had a hellish time editing the film and Fox Searchlight demanded a savage trim of the three-hour cut he submitted to them. There was litigation and much angst.

Late last year “Margaret” opened in one New York theater to glowing reviews and…and…well, that’s about it. The movie has now come out on home video and is available on pay-per-view through many cable providers.

See it. It’s a challenging, thoughtful and moving work. Continue Reading »

Askel Hennie

“HEADHUNTERS” My rating: B (At the Tivoli)

100 minutes | MPAA rating: R

A borderline repellant protagonist ends up earning our respect in “Headhunters,” a Norwegian thriller that’s equal parts Hitchcock and Road Runner cartoon.

Roger Brown (Askel Hennie) is a headhunter for a big Oslo corporation. He’s apparently very good at  finding top-notch employees, but that’s not his real job.

Roger is an art thief. He conducts job interviews with well-heeled management candidates in order to learn about their habits and their possessions.

Then, with the help of Ove (Eivind Sander), his associate and an employee of a firm that maintains security for the city’s wealthiest homeowners, he sneaks in, takes the art out of its frame and leaves behind a reproduction. It takes weeks for the victims to realize they’ve been ripped off .

Roger thieves because it allows him to live beyond his means. You see, Roger is short and borderline ugly (he’s kind of a Norwegian Steve Buscemi), and he lives in constant fear that his beautiful, blonde, towering wife Diana (Synnove Macody Lund) will leave him unless he can satisfy her every material whim.

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“BEASTS OF THE SOUTHERN WILD”  My rating: B+

93 minutes  MPAA rating: PG-13

Name just about any important filmmaker, and they’ll have made a movie about children.

But I can recall no film – not even from an acknowledged master of cinema — that captures a child’s way of looking at the world as perfectly as “Beasts of the Southern Wild.”

Quvenzhane Wallis

In just about every aspect Benh Zeitlin’s feature reflects the thoughts, vision, and emotions of its six-year-old protagonist, from a camera that views everything from about three feet off the ground to its flights of intoxicated imagination to its simple narrative, which eschews the adult inclination to explain, elaborate, illuminate.

Our heroine is Hushpuppy (Quvenzhane Wallis), an astonishing beautiful tyke with a bushy Afro and a wardrobe that seems to consist mostly of underpants and big white rubber boots.

Actually the minimal clothing is perfectly appropriate given Hushpuppy’s environment. She lives in the Bathtub, a steamy community of swamp-dwellers along the Gulf Coast. The Bathtubbers are black and white and a Cajun blend of both. Most seem to have been here all their lives and share a laid-back lifestyle centering on beer and steamed crawfish pulled from the brackish waters. The work ethic isn’t big in the Bathtub.

Hushpuppy lives with her father Wink (Dwight Henry). Well, not actually with him. Hushpuppy has her own ramshackle mobile home raised on pilings. Wink sleeps, drinks and cooks in a shack across a junk-strewn meadow. Continue Reading »

I’m departing from my usual format of reviews and movie news to let everyone know that “Heart,” the four-issue comic book by our spectacularly talented daughter, Blair Butler, is now available in trade paperback.

For the benefit of the non-geeks out there, a trade paperback collects the entire run of a comic book in one volume.

Not only was “Heart” written by a former Kansas Citian, but it was illustrated by Kevin Mellon of Blue Springs. And the story takes place in and around our town.

“Heart” is the story of Oren Redmond, an Overland Park insurance company cubicle drone, who finds a reason to live in the world of mixed martial arts fighting. The book chronicles his rise in the ranks, as well as the many life lessons he learns, often the hard way.

For several years now Blair has been doing Mixed Martial Arts commentary for her cable TV channel, G4, and her love of and wealth of knowledge about the sport comes through loud and clear on every page.

This isn’t just a proud papa boasting. Check out the reviews:

HEART may not change anyone’s feelings about MMA fights, but it will have readers reexamining their feelings about what drives some MMA fighters. Everyone knows someone like Oren — a friend who spends three nights a week playing shows with a band that probably won’t ever get signed, a relative who puts every hour of their day into a start-up company even when the economy’s broken, an activist struggling to change the way people think — or maybe they’re facing an uphill battle of their own. As anyone in contact with friends from high school on social media understands, not all of these kinds of struggles are worth watching unfold. In the case of Heart, however, fans are going to want to see Oren’s trials and tribulations through.”               — Comics Alliance

“Quite early on, it becomes clear that Oren has reached the glass ceiling, and his MMA prospects are pretty much over.  Blair Butler does an excellent job of getting into the mindset of a fighter in the aftermath of a knockout loss, showing how they might lose confidence in their chin, and how that could affect their whole style of fighting. Continue Reading »

There isn’t a whole lot of middle ground when it comes to Larry Fine, Moe Howard and Curly Howard.

Either you think the Three Stooges are hilarious (meaning you’re probably a regular guy) or you think they’re utterly stupid (meaning you’re a woman…or one of those guys).

So…half of you could not care less about the release of the massive 20-disc “The Three Stooges Ultimate Collection.” But for the other half it’s a sort of comedy Second Coming.

(A confession: I’m one of those guys. The Stooge magic never worked on me – or at least it hasn’t since the fifth grade.)

Well, love ‘em or loathe ‘em, you’ve got to give props to Sony Pictures Home Entertainment for putting together 60-plus freakin’ hours (and three decades) of nonstop Nyuk Nyuk, eye poking, head-thumping and face slapping.

What you’ve got here are 190 shorts (or, more accurately, a handful of basic slapstick routines recycled through 190 scenarios so similar it’s impossible to tell them apart), two feature films from the late ‘50s (“Have Rocket, Will Travel” and “Rockin’ in the Rockies”) and, of particular interest to hard-core Stooge fans, three discs of rare and unreleased content centering on various solo short subjects by the boys. Continue Reading »

Woody Allen, Judy Davis

“TO ROME WITH LOVE” My rating: C (Now showing)

102 minutes | MPAA rating: R

“To Rome With Love” is Woody Allen’s Michael Bay movie. Which is to say that it’s very busy and discouragingly empty.

Perhaps I’m too harsh. It’s a Woody movie, after all, which means that it has a fair share of solid laughs. It’s just that the laughs don’t seem to be in the service of anything. There’s not even any of the magical sleight of hand of his last film, the sleeper hit “Midnight in Paris.”

As the title suggests, this one is set in Rome. There’s not story, just lots of little stories as the film flits among a big cast of characters, both American and Italian.

An American student (Alison Pill) falls for an Italian boy (Flavio Parenti), necessitating a meeting between her parents (Judy Davis and Allen, the latter in high hypochondriacal form) and his. Allen’s character is a retired opera director, and he is thrilled to discover that his Italian counterpart (acclaimed tenor Fabio Armiliato), a mortician by trade, possesses a fantastic singing voice.  But he can only hit those high notes when in the shower. Let your imagination do the rest.

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Kara Haywood, Jared Gilman

“MOONRISE KINGDOM” My rating: A- (Opening June 29 at the Tivoli and Glenwood)

94 minutes | MPAA rating: PG-13

“Moonrise Kingdom,” Wes Anderson’s new comedy of melancholy, sneaks up on you.

Initially it seems comfortingly familiar. We get Anderson’s trademark visual oddities (in the first shot the camera pans past the rooms of a sort of lighthouse home as if peering into a  dollhouse occupied by living figurines – it’s like a similar passage set aboard a ship in Anderson’s “The Life Aquatic”).

There are oodles of absurdist humor applied with deadpan delivery.

There are faces (Bill Murray, Jason Schwartzman) familiar from other Anderson efforts.

But about halfway through you realize that this time around Anderson is going for the magic as well.

In this tale of two 12-year-olds who run away to live an idyllic life in the woods, Anderson his hitting some new notes, creating chords of childlike innocence entwined  with adult angst.

It’s the summer of 1965 on New Penzance Island, a New England paradise with no paved roads, lush forests and lovely rocky beaches.

Living full time on the island is Suzy Bishop (Kara Haywood). Suzy isn’t beautiful, exactly, but she has riveting eyes and sharp features and a penetrating stare. She looks like a young Christine Baranski.

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Mark Duplas, Emily Blunt, Rosemarie DeWitt

“YOUR SISTER’S SISTER” My rating: A- (Opening June 29 at the Tivoli and Leawood)

90 minutes | MPAA rating: R

Lynn Shelton’s “Your Sister’s Sister” is some sort of miracle — a cleverly conceived, perfectly acted three-character dramedy that has all the verbal beauty of a great stage play and yet always feels absolutely cinematic, albeit in an unforced sort of way.

Iris (Emily Blunt) was dating Tom. But Tom died. Since then Iris has become best friends with Tom’s brother Jack (Mark Duplass). Now she’s concerned because Jack’s drinking, bitterness and lack of direction since Tom’s death have reached a tipping point.

So she initiates her version of an intervention, telling Jack — ordering him, really — to ride his bike to the ferry (they live in Seattle) and go to an island where Iris’ family has a rarely-used home.

No TV. No Internet. Jack will be forced to spend time alone with himself.

Except that when Jack pedals up to the threshold on a cold night (nights are always cold on the island, and wet, too) he finds the house occupied. Iris’ half sister, Hannah (Rosemarie DeWitt), is already encamped. She’s left her girlfriend of seven years and is trying to get her head together.

A bottle of tequila and some clever conversation later and Hannah and Jack are tumbling into bed together. It’s not an auspicious mating (he’s got, er, control problems and she hasn’t been with a man for a long time) and the next morning they’re prepared to write the whole thing off as a Cuervo-instigated mistake.

Except that Iris suddenly appears. Jack and Hannah agree not to tell her what happened.

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