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Archive for January, 2014

Joaquinn Phoenix

Joaquin Phoenix…isolated, but not for long

“HER” My rating: A- (Opens wide on Jan. 10)

120 minutes | MPAA rating: R

The sentient computer — the mechanical brain that becomes self aware — has been with us for many years now (perhaps most famously in the person of “2001’s” HAL 9000). But writer/director Spike Jonze’s “Her” pushes that idea in new and wonderful directions.

Along the way it becomes the best film of 2013.

In the near future — so near you can’t categorize the film as science fiction — a computer operating system is developed that so perfectly imitates human thought and emotion as to make the iPhone’s Siri seem like a grunting Neanderthal.

Theodore Twombly (Joaquin Phoenix) is a lonely romantic.  Lonely because he and his wife (Rooney Mara) are divorcing — though Tehodore cannot bring himself to sign the papers.  Romantic because his day job is writing heartfelt letters  to strangers.

He works for a company that, for a fee, will compose personal letters to family members, dearly beloveds, friends and acquaintances. Apparently in this near future most personal written correspondence is limited to texting abbreviatons and emoticons. Some folks will pay big bucks for a well-written, sincere and “handwritten” letter (actually, a computer provides the appropriate font and coughs it out of a laser printer).

Theodore is a master of this old-fashioned form of communication — which only makes his sterile personal life all the more ironic.

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Ginger Rogers, Charles Coburn, David Niven

Ginger Rogers, Charles Coburn, David Niven

“Bachelor Morther” screens at 1:30 p.m. Saturday, January 11, 2014 in the Durwood Film Vault of the Kansas City Central Library, 14W. 10th St.  Admission is free. It’s part of the year-long film sereies Hollywood’s Greatest Year, which offers movies released in 1939.

During the heyday of the Motion Picture Production Code (1930-1968), there were certain things that just couldn’t happen in an American movie.

You couldn’t get away with murder, since the code demanded that criminals be punished before the lights came up.

Bathrooms in Hollywood movies didn’t have toilets…at least you never saw one on screen.

A man and wife couldn’t share a single bed. Twin beds were the order of the day, and should members of the opposite sex find themselves occupying the same horizontal space, at least one of the gentleman’s feet must be planted firmly on the floor.

For that matter, you couldn’t discuss sex, much less show it. Even “excessive or lustful kissing” was prohibited.

Today it all sounds ludicrous, but back then the Production Code exercised immense power in Hollywood, guaranteeing that any movie released by a major studio would be suitable for everyone from Junior to Grandma.

Hollywood, being Hollywood, found ways to get around it.BACHELOR MOTHER - Copy (more…)

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Toni Servillo in "The Great Beauty"

Toni Servillo in “The Great Beauty”

“THE GREAT BEAUTY” My rating: B+ (Opening Jan. 3 at the Tivoli)

142 minutes | No MPAA rating

It’s impossible to talk about “The Great Beauty” without bringing up Federico Fellini’s “La Dolce Vida.”

Paolo Sorrentino’s film is, if not a literal sequel to that 1960 masterwork about ennui among the jet setters, inescapably a thematic sequel.  And like Fellini’s film, it takes its journalist protagonist on an episodic ride through the Roman night life they don’t feature in the tourist brochures.

The picture begins with achingly beautiful images of Rome.  Cinematographer Luca Bigazzi’s camera seems to float effortlessly through a series of semi-tableaus — the effect is like a sensuous melding of moments from Lars Von Trier’s “Melancholia” and Terrence Malick’s “Tree of Life.”

Then we suddenly find ourselves plunged into an orgiastic party filled with flashing lights,  throbbing techno music and swaying revelers.  The man of the hour is Jep Gambardella (Toni Servillo), a man about town celebrating his 65th birthday.

Some 40 years ago Jep came to Rome after writing a promising first novel…and never followed up on the promise.  Now he does celebrity interviews for a magazine. Apparently it pays well enough for him to maintain a spectacular apartment overlooking the Coliseum.

He’s a Roman down to his toenails — he never leaves the city and knows every alley, fountain, park and plaza like his own bedroom. He wanders the city in the wee hours, usually going home only with the rising sun.

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