Charlie Plummer
“LEAN ON PETE” My rating: B+
121 minutes | MPAA rating: R
“Lean on Pete” will leave audiences emotionally wrecked.
This despite the miscasting of a couple of key roles.
At first glance the latest from Brit writer/director Andrew Haig (“45 Years,” “Weekend”) may look like a-boy-and-his-horse story. But no. The equine Pete of the title is less a character than a symbol of everything that the movie’s young human protagonist lacks.
When we meet Charley (Charlie Plummer, last seen as John Paul Getty II in “All the Money in the World”) he’s living in borderline poverty with his loving but generally hapless father Ray (Travis Fimmel). Early on they discuss Ray’s latest squeeze over a breakfast of Fruit Loops (which are kept in the fridge to frustrate the roaches).
Charley: “I like her better than Marlene.”
Ray: “Marlene was smart for a stripper.”
Virtually by accident Charley falls in with Del (Steve Buscemi), who might best be described as a used car salesman of the horse set. Del has a small stable of nags he runs at nickel-and-dime tracks around the Pacific Northwest. He puts Charley to work grooming the exercising the animals, and the kid soon picks up that Del isn’t above scamming or cheating to make a buck, leading occasionally to quick dead-of-night getaways.
Still, the kid loves working with the horses, especially the aging Lean On Pete, who becomes his personal favorite.
“You can’t think of them as pets,” warns Bonnie (Chloe Savigny), the young woman who is Del’s in-house jockey. “They’re here to race and nothing else.”
Indeed, Del is no sentimentalist when it comes time to cull the herd. Thus when Charley, already reeling from a tragedy at home, learns that Lean on Pete is “going to Mexico” — Delspeak for being sold to the glue factory — the kid puts the horse in a trailer, revs up Del’s junker pickup truck, and heads out for parts unknown.
Steve Buscemi
Charley’s goal is to find his aunt, a librarian living somewhere in Utah. To get there he will lie and steal. He’ll drive the truck until it runs out of gas, then walk Pete across miles of back country. Starvation is a real possibility.
Along the way he encounters a cross section of contemporary Americans: a couple of Afghan war vets living in a doublewide in the middle of desert isolation, for example, or a fat girl and her abusive grandfather. An encounter with a scheming, self-destructive street person (Steve Zahn) very nearly pushes our young hero to the breaking point.
Much of Charley and Pete’s journey is presented as a wordless odyssey against a vast Western landscape; curiously, Charley seems less lost in the wide open spaces than in the suffocating corners of civilization.
Like Sean Baker’s “The Florida Project,” “Lean On Pete” is a fiercely humanistic look at a young person — an innocent if you will — searching for some sort of stability and hope.
Plummer is quietly devastating as Charley, which makes up for the iffy casting of Buscemi and Savigny — two performers who carry an unmistakably urban vibe — as denizens of the stockyard and stable set.
Throughout Haigh’s directorial skills — his sense of character and a lyrical approach to Charley and Pete’s long, sad journey — keep an audience hanging on virtually every shot.
| Robert W. Butler
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