“ALL ABOUT NINA” My rating: B-
97 minutes | MPAA rating: *
Mary Elizabeth Winstead has been on the brink of stardom for a long time.
She’s delivered some terrific TV work (“Braindead,” “Fargo”), sometimes in lead performances, but most of her movie roles have fallen into the supporting category.
“All About Nina” should change that. Written and directed by Eva Vives, “Nina” provides Winstead with perhaps her juiciest role to date.
Nina Geld is a standup comic whose fiercely rude act (menstruation, noncommittal sex) reflects her own angry essence. She’s perennially pissed because comedy is such a boy’s club; in her private life she avoids intimacy.
Emotional intimacy, anyway. Sex is something else…Nina’s a tart-tongued man-eater who picks up strangers and leaves them whimpering for more.
Despite her tough talk and swagger, Nina is weirdly vulnerable. After a set — even a wildly successful one — she stumbles offstage and invariably pukes in an ice bucket or other suitable receptacle. On some level her art hurts.
“All About Nina” follows her from NYC to Los Angeles, where her agent has wrangled her an audition for a TV show. But at the film’s real core is her relationship with Rafe (Common), a contractor who senses the pain beneath Nina’s rough exterior and decides to go slow. (It may be one of the movies’ rare instances of a guy turning down sex.)
Vives’ screenplay has its ups and downs. The depiction of the comedy world — especially backstage at a showcase where woman comics are competing for the same gig — feels absolutely right.
And the slow-burning Nina/Rafe relationship is sweet and sexy despite the landmines with which Nina’s past is littered.
But there’s a big reveal here about our heroine’s childhood that will shock many viewers (though it retrospect it probably shouldn’t)…it’s not that the film shouldn’t have gone there so much as Vives hasn’t quite figured out how to finesse it.
“All About Nina” is a minor film but as a showcase for Winstead it delivers in spades.
More, please.
| Robert W. Butler
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