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Archive for the ‘Art house fare’ Category

Cowboy culture is tough, rough and taciturn, right?

Slow-talking guys in jeans and Stetsons.

Yep.

Nope.

Thank you, Ma’am.

Not a whole lot of touchy-feely.

But here’s Buck Brannaman, quite possibly the most important cowboy in America, talking to the documentary camera about his abuse-filled childhood.

About how his widowed father would go on drunken tears and beat Buck and older brother Smokey.

About the winter night when young Buck, terrified of another session of torment, fled into sub-zero weather in his pajamas and survived by sharing a ranch dog’s straw-filled barrel.

Ironically, that tortured childhood may have been instrumental in creating the man Buck Brannaman is today, a real-life horse whisperer whose clinics for horses and their owners are legendary, whose methodology rejects “breaking” an animal and instead relies on his ability to get on the equine wavelength.

After a session with the gentle Brannaman, a horse seems to know telepathically what he wants it do do.

“I dream about horses,” Brannaman said (more…)

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“ANOTHER HARVEST MOON”  My rating: C (Opening June 24 at the Glenwood Arts)

88 minutes | MPAA rating: PG-13

With “Another Harvest Moon” we get about 300 years of acting experience up there on the movie screen.

Too bad that talent is put it to such unremarkable use.

(more…)

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Get your tickets and gird your loins.

GayFest is upon us.

That’s the Gay & Lesbian Film Festival of Kansas City, for the uninitiated, and it gets underway Friday, June 24 at the Tivoli Theatre in Westport.

I’ve been able to pre-screen several of this year’s titles; what follows is one guy’s picks of the best of the fest: (more…)

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I have met Terrence Malick.

I’ve talked to Terrence Malick.

In a manner of speaking, I interviewed Terrence Malick…to my knowledge, I’m the only journalist ever to have done so.

Flashback to 1979:

Malick, whose “The Tree of Life” is currently in theaters dividing audiences like a hot knife through a stick of butter, was attending Show-A-Rama, a gathering of movie exhibitors and studio reps that for more than 20 years was held in Kansas City. (It subsequently evolved into ShowWest and moved to Las Vegas).

That year the relatively unknown Malick was named Show-A-Rama’s Director of the Year and showed up to claim his plaque. (At this May’s Cannes Film Festival he declined to make an appearance to collect his Palme d’Or for “Tree.”) (more…)

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THE VETERAN ACTOR STARS IN “ANOTHER HARVEST MOON,” OPENING JUNE 24

Ernest Borgnine has longevity.

Ernest Borgnine (with Anne Meara) in "Another Harvest Moon"

At the age of 94 he can look back on an acting career that includes a best actor Oscar (for playing the titular lovesick butcher in 1955‘s “Marty”) and roles in landmark movies like:

“The Wild Bunch,” “Bad Day at Black Rock,” “From Here to Eternity,” “Johnny Guitar,” “The Vikings,” “The Flight of the Phoenix,” “Escape from New York,” “The Dirty Dozen,” “Ice Station Zebra” and “The Poseidon Adventure.”

And those are just a few of the more than 100 films in which he has appeared.

So when he gets recognized on the street (and it happens all the time), what movie do strangers always mention?

“It’s not a movie,” Borgnine said in a recent telephone interview.

“It’s the TV series. ‘McHale’s Navy.’ Everybody knows that show.

(more…)

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“THE TREE OF LIFE”  My rating: A-

138 minutes | MPAA rating:  PG-134

“The Tree of Life” is a sublime, transcendent movie experience.

“The Tree of Life” is like watching your car rust.

That both of the above statements are true only goes to show the uniqueness of the latest effort from the reclusive Terrence Malick.

(more…)

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“THE WOODMANS” My rating: B (Opening June 17 at the Screenland Crossroads)

84 minutes | No MPAA rating

How do you compete with a ghost?

That’s the conundrum facing a family of artists in the wake of the suicide of their hugely talented and deeply disturbed daughter.

George and Betty Woodman struggled much of their lives to make it as artists. He was an abstract expressionist painter. She was a ceramicist whose credo was to make useful objects.

But they were easily eclipsed by their daughter Francesca, who picked up a camera in high school and by the time she was enrolled at the Rhode Island School of Design was already on the way to being one of the 20th century’s great photographers.

Her classmates recall a girl who didn’t come to learn so much as to refine her already established style. Francesca specialized in self-portraits, often nudes, taken in aging rooms with peeling wallpaper and worn floors.

(more…)

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“POETRY”  My rating : B

139 minutes | No MPAA rating

Beauty and brutality, poetry and pessimism are uneasy neighbors in Lee Chang-dong’s “Poetry,” a character study about an elderly woman whose rosy view of life is shattered by the casual cruelty of the modern world.

Mija (Yun Jung-hee, Korea’s greatest actress, who came out of 16 years of retirement to take this role) is a sixtysomething widow rearing her teenage grandson. She lives off a pension and the money she earns bathing and cleaning up after a cranky stroke victim.

Yun Jung-hee in "Poetry"

Once a great beauty, Mija takes girlish pleasure in being told how pretty she still is. In fact she’s flighty and shallow and — perhaps because her looks have always seen her through — naively upbeat.

That’s about to change.

(more…)

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“SMALL TOWN MURDER SONGS”  My rating: C+

75 minutes | No MPAA rating

“Small Town Murder Songs” is the sort of minimalist effort I feel I should like more than I actually do.

Ed Gass-Donnelly’s Canadian murder mystery evokes memories of films by Atom Egoyan and other practitioners of Great Northern ennui. It’s small, claustrophobic and at times too self-consciously artsy for its own good.

Yet it has a genuinely sad and disturbing central performance by Swedish actor Peter Stormare (he was the thug operating the wood-chipper in “Fargo”). (more…)

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Shannon Sossamon in "Road to Nowhere"

“ROAD TO NOWHERE” My rating: C 

121 minutes | MPAA rating: R

Movies about the making of movies have produced such delights as Francois Truffaut’s “Day for Night” and Richard Rush’s “The Stunt Man.”

Alas, Monte Hellman’s aptly titled “Road to Nowhere” is far from a delight.

This is the first film in 20 years for Hellman, a Roger Corman protege whose 1971 “Two Lane Blacktop” (James Taylor and the Beach Boys’ Dennis Wilson played rootless drag racers) flopped at the box office but subsequently became a cult landmark.

(more…)

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