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Archive for the ‘Art house fare’ Category

“ANOTHER EARTH”  My rating: B+  (Opening Aug. 12 at the Tivoli and Glenwood)

92 minutes | MPAA rating: PG-13

The unassuming, modestly budgeted “Another Earth” offers the best of both worlds.

It works wonderfully as a piece of speculative fantasy fiction;  it’s equally effective as a moving human drama.

Here we’ve a film that grabs you while you’re watching it and keeps you talking about it long after the lights come up.

Basically we have two stories, one playing out in the public arena and the other in the intensely private.

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Waldemar Torenstra and Anna Drijver in "Bride Flight"

“BRIDE FLIGHT” My rating: C+ (Opening Aug. 5 at the Glenwood at Red Bridge)

130 minutes | MPAA rating: R

The Kiwi entry “Bride Flight” is less an art film than a romance with grand ambitions.

Unspooling over four decades, this effort from director Ben Sombogaart and writer Marieke van der Pol follows three women and one man from the Netherlands who in the years after World War II attempt to rebuild their lives as emigres to New Zealand.

In a prologue we meet Frank (Rutger Hauer), operator of one of New Zealand’s most successful vineyards. The old fellow dies of a heart attack and word goes out for his loved ones to gather for a sendoff.

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Steve Coogan and Rob Brydon take "The Trip"

“THE TRIP” My rating: B (Opening Aug.  5 at the Tivoli and Rio)

101 minutes | No MPAA rating

“The Trip” seems a very casual, largely improvised movie — the sort of thing the British refer to as a “toss off.”

Certainly it appears a lightweight affair to bear the name of director Michael Winterbottom, whose output (“Welcome to Sarajevo,” “The Claim,” “24 Hour Party People,” “A Mighty Heart”) trends toward the heavily meaningful.

But don’t let its shaggy-dog demeanor fool you. Despite its simplistic setup, this is one extremely clever and entertaining film. Heck, it even has moments of depth. (more…)

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“PROJECT NIM” My rating: B+ (Opening July 29 at the Glenwood Arts)

93 minutes | MPAA rating: PG-13

We humans are an arrogant lot. Exhibit A is James Marsh’s “Project Nim,” a devastating documentary about a monkey.

Not just any monkey, but a chimp named Nim who in the mid-70’s was the celebrated subject of an experiment  in primate intelligence and the eternal question of nature vs. nurture.

Shortly after his birth in an Oklahoma primate research facility, Nim was taken from his sedated mother and given to a wealthy New York family to raise as their own child.

The creator of this experiment, Columbia University psychologist Herbert Terrace, wanted to see if a chimpanzee reared as a human could learn to speak in sign language. How great would it be if an animal could tell us what it’s thinking and feeling?

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“TROLLHUNTER” My rating: B- (Opening July 22 at the Screenland Crossroads)

90 minutes | MPAA rating: PG-13

The Norwegian “TrollHunter” purports to be footage left behind by members of a college film crew who have mysterious vanished.

Stop me if you’ve heard this one before.

Actually, André Øvredal’s film, an amusing mashup of elements from “The Blair Witch Project” seasoned with a bit of “Men in Black,” is a lot more entertaining than you’d expect given its by-now-cliched premise.

Maybe it’s the way the film wields its uber-dry sense of humor, presenting with a straight face thoroughly fanciful, nay, absurd notions.

Our student filmmakers are on-camera interviewer Kalle (Tomas Alf Larsen), sound girl Johanna (Johanna Morck) and cameraman Thoms (Glenn Erland Tosterud…who is heard but rarely seen for obvious reasons).

As the movie starts they are trying to do an expose about wildlife deaths in rugged fiord country. There are rumors of rapacious poachers, and the three fledgling moviemakers  think they have a suspect in a bearded, middle-aged guy who drives a beat-up all-terrain vehicle and tows a mobile home that gives off an unidentifiable reek. (more…)

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David Carr...defending the honor of the New York Times in "Page One"

“PAGE ONE”  My rating: B  (Opens July 22 at the Glenwood Arts)

88 minutes: MPAA rating: R

The recent woes of print journalism are front and center in “Page One,” a documentary for which director Alex Rossi  spent a year observing the inner workings of our greatest newspaper, The New York Times.

Although it remains America’s most successful daily, the old gray lady nevertheless is struggling to stay economically viable in an era when the internet and other free sources of news have cut badly into both her advertising revenue and her once-exclusive position as the ultimate source of information on current events.

And if things are bad for the unassailable Times, imagine what it’s like for other papers.

(I personally could tell you a few tales of woe…but, no, that’s for another day.) (more…)

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Ewan McGregor, Melanie Laurant and friend

“BEGINNERS” My rating: B  (Opens July 8 at the Glenwood Arts and Tivoli)

105 minutes | MPAA rating:  R

We inherit more from our parents than DNA. Without realizing exactly how or why, we inherit a way of looking at life.

“Beginners” is about a man looking back on his parents’ marriage and finally coming to terms with the often uncomfortable emotional baggage they bequeathed him.

That may sound like a heavy slog. Happily, much of “Beginners” is a hoot — bizarrely funny, sweet, sexy and quite moving.

If with his second feature the film’s writer/director — modern-day Renaissance man Mike Mills — can’t always keep all those balls perfectly suspended in the air, he comes close enough to make this film a must-see event.

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Craig Roberts in "Submarine"

“SUBMARINE” My rating: C+  (Now at the Glenwood at Red Bridge)

97 minutes | MPAA rating: R

JD Salinger never allowed a movie to be made of his classic novel The Catcher in the Rye, and I now think I know why.

It’s because his adolescent protagonist Holden Caulfield — so funny, entertaining and idiosyncratic on the written page — would be borderline intolerable in the flesh-and-blood world of film.

I base this on my reaction to “Submarine,” an adaptation of Joe Dunthorne’s novel about a Welsh teenager in the ‘80s. Dunthorne’s Oliver Tate is self-absorbed, judgmental and maddening in all the ways a young person can be, but while he’s fun to encounter on the written page, in the darkness of the movie house he’s an infuriating and irritating wad of mopey misery.

As played by young Craig Roberts, Oliver isn’t much fun to be around, despite the cinema tricks thrown at him by director Richard Ayoade.

For example, early on our furtively angry hero imagines what it would be like if he were to die. He envisions — and we witness — TV news reports of the mass outpouring of grief, of candle-bearing classmates, of spontaneous shrines to his memory that spring up on street corners, of platitudinous eulogies.  (more…)

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Lambert Wilson and Michael Lonsdale in "Of Gods and Men"

“OF GODS AND MEN” (Now available)

Terrific movie.
Infuriating DVD packaging.

“Of Gods and Men” is one of the year’s finest films. This French release, winner of the Grand Jury Prize at Cannes last year, centers on the monks of the Tibehirine Monastery in Algeria’s Atlas Mountains, who in 1996 were abducted by Islamic revolutionaries then waging war against the government.

Several months later the monks’ severed heads were returned to the monastery for burial.

Happily, this isn’t a film about dying. Rather, Xavier Beauvois has made a movie about living. (more…)

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“CONAN O’BRIEN CAN’T STOP”  My rating: B- (Opening July 1 at the Screenland Crossroads)

89 minutes | MPAA rating: R

It’s said that comedy is born of anger. And you’ll no find a better illustration of that than Conan’s O’Brien’s Legally Prohibited from Being Funny on Television Tour.

In the wake of his 2010 breakup/betrayal with NBC, the former “Tonight Show” host — who in return for a huge cash settlement agreed not to appear on TV, radio or the Internet for six months — opted to launch a nationwide comedy tour.

It was no small affair: a full band, backup singers/dancers, elaborate props (like a masturbating stuffed panda) and an ever-changing slate of special guests.

And it was all fueled by rage.

In “Conan O’Brien Can’t Stop” the normally affable funnyman (more…)

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