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“POETRY”  My rating : B

139 minutes | No MPAA rating

Beauty and brutality, poetry and pessimism are uneasy neighbors in Lee Chang-dong’s “Poetry,” a character study about an elderly woman whose rosy view of life is shattered by the casual cruelty of the modern world.

Mija (Yun Jung-hee, Korea’s greatest actress, who came out of 16 years of retirement to take this role) is a sixtysomething widow rearing her teenage grandson. She lives off a pension and the money she earns bathing and cleaning up after a cranky stroke victim.

Yun Jung-hee in "Poetry"

Once a great beauty, Mija takes girlish pleasure in being told how pretty she still is. In fact she’s flighty and shallow and — perhaps because her looks have always seen her through — naively upbeat.

That’s about to change.

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“SUPER 8” My rating: B-

112 minutes | MPAA rating: PG-13

J.J. Abrams’ highly-anticipated “Super 8” is a riff on all those Spielberg-inspired films from the ‘80s in which suburban kids got sucked into other-worldly adventures.

“Goonies” is a big influence here. So is “E.T.,” “Close Encounters of the Third Kind” and a half-dozen other titles.

As a work of homage, “Super 8” will have you tabulating references to all those movies. It makes for a diverting parlor game.

The film itself is a mixed bag. The first half is excellent, with Abrams and a spectacular cast of young performers delivering several strikingly original sequences.

And then “Super 8” becomes a movie we’ve already seen way too many times. It’s not awful, just discouragingly familiar.

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“SMALL TOWN MURDER SONGS”  My rating: C+

75 minutes | No MPAA rating

“Small Town Murder Songs” is the sort of minimalist effort I feel I should like more than I actually do.

Ed Gass-Donnelly’s Canadian murder mystery evokes memories of films by Atom Egoyan and other practitioners of Great Northern ennui. It’s small, claustrophobic and at times too self-consciously artsy for its own good.

Yet it has a genuinely sad and disturbing central performance by Swedish actor Peter Stormare (he was the thug operating the wood-chipper in “Fargo”). Continue Reading »

Shannon Sossamon in "Road to Nowhere"

“ROAD TO NOWHERE” My rating: C 

121 minutes | MPAA rating: R

Movies about the making of movies have produced such delights as Francois Truffaut’s “Day for Night” and Richard Rush’s “The Stunt Man.”

Alas, Monte Hellman’s aptly titled “Road to Nowhere” is far from a delight.

This is the first film in 20 years for Hellman, a Roger Corman protege whose 1971 “Two Lane Blacktop” (James Taylor and the Beach Boys’ Dennis Wilson played rootless drag racers) flopped at the box office but subsequently became a cult landmark.

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“MIDNIGHT IN PARIS”  My rating: B

90 minutes | MPAA rating: 

Some films are lavish eight-course meals. Others are pastries.

“Midnight in Paris” is of the second variety, but since it was made by Woody Allen (one of his best efforts of recent years, in fact) and unfolds in the most evocative city on Earth, it’s a most satisfying pastry. Every bite provides a lovely escape. Continue Reading »

“God Went Surfing with the Devil”

The surfing documentary has been a cinema staple ever since Bruce Brown’s “Endless Summer” back in 1966, but I don’t think we’ve ever seen anything quite like “God Went Surfing with the Devil,” professional skateboarder Alexander Klein’s heady blend of Middle Eastern politics and wave-catching abandon.

Klein’s doc follows activists with Surfing4Peace who are attempting to do their small part for world peace by shepherding a shipment of surfboards into Gaza. They envision Arab enthusiasts joining their Jewish counterparts in riding the waves of Gaza’s sandy beaches.

Sounds like an easy enough task, Continue Reading »

“INCENDIES”   My rating:  A

120 minutes |  No MPAA rating | French and Arabic with subtitles.

Twelve hours after watching Denis Villeneuve’s “Incendies,” I’m still on a cinema high and more certain than ever that this is some sort of masterpiece.

The Oscar-nominated (for foreign language film) “Incendies” (French for “fires”) is about war and peace, about family and forgiveness. It has more pure horror and more unforced emotional beauty than any film I’ve seen in ages, yet it delivers its potent payload with a minimum of sentimentality and filmic melodrama.

It’s the story of one life, but also about how the ripples from that life Continue Reading »

X-MEN: FIRST CLASS  My rating: B-

132 minutes | MPAA rating: PG-13

There are moments in “X-Men: First Class” that are so good they almost don’t belong in a superhero movie.

This is a backhanded compliment, I know. But that’s how I feel about the genre — the less it’s like a superhero movie, the better.

And before it backslides into the usual cliches, “First Class” delivers some very interesting stuff.

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“Forks Over Knives”  My rating: B 

90 minutes | No MPAA rating

Eat your veggies.

That’s the message of “Forks Over Knives,” a new documentary that argues that most of the physical maladies afflicting modern man — obesity, diabetes, cancer, pulmonary disease — could be hugely reduced if we steered clear of meat and dairy and chowed down on fresh vegetables, fruit and whole grains.

Lee Fulkerson’s film joins a growing list of titles (“Food, Inc.,” etc.) pushing for a radical rethinking of America’s diet. It presents a thorough, hard-to-refute case based largely on decades of research by two physicians, Caldwell Esselstyn Jr. and T. Colin  Campbell, both of whom grew up on dairy farms and later rejected the dietary wisdom of their youths.

“Forks…” is convincing, citing research Continue Reading »

JUNE  2:

Wes Studi and Fred Andrews at the 2009 film festival

Fred Andrews, founder of the Kansas City Filmmakers Jubilee, announced today that he was stepping down from the helm of the organization he has run for 15 years.

At a meeting requested by Andrews and attended by about 20 persons — mostly members of the Jublilee’s board of directors, advisory board and volunteers — Andrews said his resignation was effective immediately.

He said his decision was prompted both by his health — two years ago he was diagnosed with an aggressive form of cancer — and by the belief of at least some board members that it was time for him to leave.

Andrews said he recently was approached by a long-time associate of the Jubilee “who told me I needed to step down. I’d have preferred it to be handled differently, in a conversation rather than an ultimatum.”

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