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Posts Tagged ‘Miranda Otto’

“DOWNHILL”  My rating: C 

89 minutes | MPAA rating: R

There’s a chill in the air of “Downhill,” and it’s only partly the result of five feet of perfect white powder.

Set in an Austrian ski resort, the latest from directing duo Nat Faxon and Jim Rash (“The Way Way Back”) offers Julia Louis-Dreyfus and Will Ferrell as vacationing Yanks who see the fissures in their relationship only widened by their high-altitude visit.

Billie and Pete seem pretty average.  She’s an attorney and appropriately self-assertive.

He’s some kind of executive who cannot put down his cel phone and tends to plan things out for his family — they have two tweener sons (Julian Gray, Ammon Jacob Ford) — without asking for their input. He maintains a Father-knows-best attitude behind his doofus-y exterior.

This is how they end up at a high-end resort at which the boys are the only kids in sight and the hot tubs tolerate only nude soaking.

Things come to a head when an outdoor lunch is interrupted by a controlled avalanche. The resort operators routinely set off blasts to loosen dangerous snowpack; this time the boiling wall of white comes shooting down the mountain and directly toward the diners.

Billie instinctively grabs her sons and hunkers down behind the table.  Pete grabs his phone and hightails it out of there. Turns out it’s a false alarm — just a cloud of mist reaches the visitors — but Pete’s act of cowardice will haunt him ever after.

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Haley Lu Richardson, Elizabeth McGovern

“THE CHAPERONE” My rating: C+

103 minutes | No MPAA rating

A pall of old-fashioned made-for-TV mediocrity hangs over much of “The Chaperone,” a Masterpiece Theatre production based on a highly-regarded novel by Lawrence resident Laura Moriarty, adapted by Oscar-winning writer Julian Fellowes (“Downton Abbey,” “Gosford Park”) and featuring a more-than-solid cast.

Blame veteran TV director Michael Engler and a stingy budget for fumbling the ball here.

At first glance one might assume that this is the story of the young Louise Brooks, who in the 1920s went from Wichita to a starring role with a top New York dance troupe and then on to international stardom as the ultimate flapper and sex symbol of silent film.

Not really.  Brooks (played here by Haley Lu Richardson) certainly has a role in this yarn, but its real focus is a middle-aged Kansas  housewife and mother  (Elizabeth McGovern) who agrees to chaperone the young hellion during her Big Apple sojourn. In  the process the older woman finds her own world exploding and expanding.

Norma (McGovern) first lays eyes on 15-year-old Louise at a Wichita dance recital where she is mightily impressed by girl’s flamboyant Isadora Duncan-ish flouncing. Norma is a stolid Midwestern matron, stuck in a sexless marriage (that’ll be explained later) to a lawyer (Campbell Scott); they have twin college-bound sons.

When she learns that Louise has won a coveted spot with the famous Denishawn modern dance company in NYC, and that the girl’s parents are looking for an appropriate chaperone to accompany their daughter to the big city, she volunteers. Heck, she needs some adventure.

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“God Went Surfing with the Devil”

The surfing documentary has been a cinema staple ever since Bruce Brown’s “Endless Summer” back in 1966, but I don’t think we’ve ever seen anything quite like “God Went Surfing with the Devil,” professional skateboarder Alexander Klein’s heady blend of Middle Eastern politics and wave-catching abandon.

Klein’s doc follows activists with Surfing4Peace who are attempting to do their small part for world peace by shepherding a shipment of surfboards into Gaza. They envision Arab enthusiasts joining their Jewish counterparts in riding the waves of Gaza’s sandy beaches.

Sounds like an easy enough task, (more…)

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