Feeds:
Posts
Comments

Posts Tagged ‘Armie Hammer’

Left to right: Armie Hammer, Brie Larson, Cillian Murphy, Sam Riley, Michael Smiley

“FREE FIRE”  My rating: C+

90 minutes | MPAA rating: R

A dozen tough guys stewing in their own testosterone. A van packed with illegal weapons.  A briefcase full of cash. A closed environment from which there is no easy escape.

What could go wrong?

A streamlined 90 minutes of pumped-up bullet blasting (literally) and wienie waving (metaphorically), “Free Fire” is the latest from Brit action auteur Ben Wheatley (“Kill List”), but its origins are pure Quentin Tarantino, with special nods to “Reservoir Dogs” and “The Hateful Eight.”

In an abandoned umbrella factory in Boston an arms deal is taking place.

Chris (Cillian Murphy) has crossed the pond to buy automatic weapons for the IRA (the time is the mid-‘70s, judging by the dreadful fashions, hairstyles and absence of cell phones).

He’s backed by the grimly efficient hitman Frank (Wheatley regular Michael Smiley), Frank’s screwup brother-in-law Stevo (Sam Riley), and Stevo’s worthless running buddy, Bernie (Enzo Cilenti).

Selling the weapons is Rhodesian gun runner Vernon (Sharlto Copley), a world-class sleazebag whose smarmy mouth keeps writing checks his fists cannot cash.  Good thing his seemingly civilized partner Martin (Babou Ceesay) is there to keep Vernon in check.

Vernon has his own goon squad on hand:  The mountainously hairy Jimmy (Mark Monero) and the wizened Gordon (Noah Taylor).

Supervising the transaction are the two middlemen who set up the deal.  Ord (Armie Hammer) is a superslick dude in a turtleneck and blazer who oozes post-modern irony; Justine (Brie Larson) is a cool beauty sharp enough to verbally emasculate chauvinists like Vernon but willing to use her seductive skills to get what she wants. (more…)

Advertisements

Read Full Post »

Henry Cavill as Napoleon Solo

Henry Cavill as Napoleon Solo

“THE MAN FROM UNCLE” My rating: C+

116 minutes | MPAA rating: PG-13

Having dragged down the great Sherlock Holmes to our world of short-attention-span cinema, Guy Ritchie now turns his camera on a fondly remembered TV series from the 1960s.

And, to give credit where it’s due, he has had the good sense to go easy on his usual hyperkinesis. “The Man From U.N.C.L.E.” isn’t particularly memorable, but it introduces some interesting ideas and avoids the most headache-inducing elements of this director’s style.

The original was television’s answer to the James Bond craze. Unlike the overtly satiric “Get Smart,” “U.N.C.L.E.” (United Network Command for Law and Enforcement) took a dry, tongue-in-cheek approach to international spying.

And in Napoleon Solo (portrayed back in the day by Robert Vaughn) the series gave us an impossibly unruffled, cooler-than-cool protagonist, who could view his own imminent demise with sardonic indifference.  The series was so huge it spawned action figures, toy guns and much more — one of the lunchboxes even has a home at the Smithsonian now.

Ritchie and a small army of writers give us an origin story that is less impressive for its dramatic elements than for its painstaking re-creation of swinging Europe in the ’60s.

Things get off to a busy start when the nattily dressed Solo (Henry Cavill, the current Superman) enters squalid East Berlin to spirit Gaby (“Ex Machina’s” Alicia Vikander), a tomboyish auto mechanic, over the Berlin Wall to freedom.

Their escape is almost foiled by a Soviet agent (Armie Hammer), who with his slow-burn,  hulking presence and almost superhuman strength seems a close relation to Robert Shaw’s assassin in “From Russia With Love.”

(more…)

Read Full Post »