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Posts Tagged ‘Evangeline Lily’

Martin Freeman as Bilbo (left), and Richards Armitage as Thorin (right)

Martin Freeman as Bilbo (left), and Richards Armitage as Thorin (right)

“THE HOBBIT: BATTLE OF THE FIVE ARMIES” My rating: C 

144 minutes | MPAA rating: PG-13

I am so over Peter Jackson’s Tolkein obsession.

It’s not that “The Hobbit: Battle of the Five Armies” is incompetent filmmaking. Rather, it’s empty filmmaking.

It’s got plenty of spectacle — beginning with a dragon and ending with an hour of uninterrupted combat — but it seems not to be inhabited. The characters are paper thin, and even those with whom we’ve developed some an affinity aren’t on the screen enough for genuine emotions to emerge.

Maybe this is what comes of taking a simple children’s adventure and ballooning it into a 9-hour trilogy.

Perhaps Jackson long ago emptied his quiver of tricks and is now reduced to repeating himself.

And the stuff that once wowed us — the CG that made the original Ring Trilogy such a technological marvel — now seems rather old hat.  So many of the effects on display here look patently artificial rather than real.

For hardcore fans, of course, none of this matters.  Having invested at least 15 hours in the first five Tolkein-inspired films, they’re not about to bail on the big conclusion. They’d probably stick around to watch Bilbo read from the White Pages.

Basically “Battle of the Five Armies” can be broken down into three segments.

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Martin Freeman as Bilbo Baggins

Martin Freeman as Bilbo Baggins

“THE HOBBIT: THE DESOLATION OF SMAUG” My rating: C+ (Opens wide on Dec. 13)

161 minutes | MPAA rating: PG-13

I am happy to report that “The Hobbit: The Desolation of Smaug” is a better movie than last year’s interminable “The Hobbit: An Unexpected Journey.”

Of course, this is a bit like congratulating grandma for outrunning great grandma.

Both movies are overpadded, meandering, and infuriating in their insistence on turning a whimsical  book for children into a lumbering behemoth of narrative and economic overkill.

Against their dramatic shortcomings, one must balance the undeniable technical creativity behind director Peter Jackson’s vision.

“Smaug” finds our Hobbit hero Bilbo Baggins (Martin Freeman) and his band of waddling dwarves drawing ever closer to the mountain beneath which the dragon Smaug lurks with his vast treasure of stolen riches.

There are moments here that I recognize from my long-ago reading of “The Hobbit,” like the gigantic spiders that  wrap up the adventurers in the forest of Mirkwood, putting them into storage for future meals. Or Bilbo’s figuring out of a an ancient riddle that will open that secret mountainside doorway to Smaug’s vast underground realm.

But Jackson and his co-writers (Fran Walsh, Philipa Boyens) have tossed in a lot of stuff that never appeared  in the book. Foremost among these is the reappearance of Orlando Bloom’s Legolas (a character from the “Lord of the Rings”) and the introduction of a lady elf, Tauriel (Evangeline Lily), who has been cut from whole cloth.

Tauriel and Legolas are an item, sort of, but she is inexplicably taken with Kili (Aidan Turner), the least grotesque of the dwarfs … could a bit of Middle Earth miscegination be our future? Stay tuned.

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