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Posts Tagged ‘Helen McCrory’

James Booth as Armand Roulin

“LOVING VINCENT” My rating: B (Opens Oct. 20 at the Tivoli)

93 minutes | MPAA rating: PG-13

“Loving Vincent” is work of adoring fanaticism, an investigation into Vincent Van Gogh’s death through animation that mimics his dynamic and instantly recognizable style of painting.

Van Gogh’s portrait of the real Armand Roulin

It is, we’re told, “the world’s first fully painted feature film” in which each  of the movie’s 60,000-plus frames have been rendered in oil by a crew of more than 100 artists.

What directors Dorota Kobiela and Hugh Welshman have accomplished here is, from a visual point of view, spectacularly mesmerizing.

As a narrative their film (co-scripted with Jack Dehnel) has some issues, but ultimately it works its way under the viewer’s skin.

Unfolding a year after Vincent’s death in the small French town of Auvers-sur-Oise, the story centers on Armand Roulin (James Booth).  Armand is a dedicated drinker and brawler living in Arles, where the artist often lived and painted during his last years. (Vincent actually did a portrait of Armand, and  throughout the movie the young man wears then bright yellow jacket in which he posed.)

This handsome ne’er-do-well is sent on a mission by his father, the local postmaster (Chris O’Dowd).  The elder Roulin has in his possession a letter written by Vincent to his brother Theo but never sent.  Now the old man dispatches Armand off to Paris to deliver the letter to its intended recipient.

Alas, he discovers that Theo died not long after his brother.  Hoping to locate Theo’s widow, Armand travels to Auvers, along the way collecting information about Vincent from those who crossed his path.  (Vincent, played by Robert Gulaczyk, is seen only in black-and-white flashbacks painted to resemble charcoal drawings.)

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Gemma Atherton, Bill Nighy

“THEIR FINEST” My rating: B-

117 minutes | MPAA rating: R

What is it with filmmakers making movies about making movies?

“Their Finest,” the latest from Danish director Lone Scherfig (“Italian for Beginners”), takes that admittedly amusing self-absorption and pumps it up with World War II-era nostalgia and nascent female empowerment.

In Blitz-ravaged London, copywriter Catrin Cole (Gemma Arterton) lands the gig of a lifetime.  She’s hired by the Ministry of Information’s Film Division to write a feature film — one that is both “authentic and optimistic” — that will embody Britain’s can-do spirit in the face of Hitler’s juggernaut.

The film is intended as pan-Atlantic propaganda that will show war-wary American audiences that Britain is more than supercilious aristocrats, that it’s a nation of everyday men and women fighting heroically for survival.

Catrin finds her subject in the real-life experiences of two spinster sisters who stole their drunken uncle’s boat and became part of the mass evacuation of British troops from Dunkirk in France.

Though she already has a significant other (Jack Huston, playing an unsuccessful painter of glum cityscapes), Catrin finds intellectual stimulation (and other sorts as well) in her new writing partner, Tom Buckley (Sam Claflin). He’s one of those seen-everything cynics who nevertheless knows exactly how to manipulate an audience (“Film is real life with the boring stuff cut out”).

Together they figure out how to cajole a fading matinee idol  (Bill Nighy, playing the sort of jaded egomaniac he does so well) into taking the seemingly inconsequential role of the drunken uncle. Somewhat more perplexing is how they are to satisfy the Ministry by creating a character for a non-acting American  (Jake Lacy) who has been flying missions for the R.A.F.

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