“ARRIVAL” My rating: B+
116 minutes | MPAA rating: PG-13
In “Arrival,” space aliens — as they have so often in our cinematic past — come to Earth with questionable intentions.
Only this time their reception is less Ridley Scott than Stanley Kubrick.
“Arrival” may be the most thought-provoking science fiction film since “2001: A Space Odyssey.”
Like Kubrick’s cryptic classic, it will leave some viewers puzzled and perhaps dissatisfied. In lieu of ray guns and souped-up space jalopies, director Denis Villeneuve (“Incendies,” “Prisoners,” “Sicario”) depicts massive societal and personal dislocation and ruminates about the very nature of time.
Happily, “Arrival” does all this with a final emotional jolt that will linger in the viewer’s mind for … well, maybe forever. Great movies can do that.
The adventure begins with a dreamy, time-leaping sequence of a mother (Amy Adams) interacting with her daughter from infancy to adolescence. On the soundtrack this woman, Louise, talks about beginnings.
Then we’re taken to the present day where Louise, a world famous linguist, arrives in her college lecture hall to find that practically nobody has come to hear her talk about the Portuguese language. The absences are soon explained — 12 magnificent spaceships (they resemble gigantic elongated eggs, or maybe black mango seeds) are now hovering at various points around the globe.
In just a couple of brilliantly conceived and edited minutes Villeneuve evokes the shock and widespread disruption caused by the realization that we are not alone.
Populations panic. Stock markets tumble. There are runs on bottled water and batteries. Looting and rioting.
Yes. This is exactly what would happen.
For Louise it gets personal when a military bigwig (Forest Whitaker) arrives at her doorstep to announce that her country needs her. Mankind must figure out how to converse with the newcomers. (more…)