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Posts Tagged ‘John Krasinski’

Emily Blunt

“A QUIET PLACE” My rating: B

90 minutes | MPAA rating: PG-13

A big idea will take you farther than a big budget. That was the lesson of last year’s “Get Out” and, on a somewhat more modest scale, of the creepily claustrophobic “A Quiet Place.”

Co-written and directed by John Krasinski, who stars with real-life wife Emily Blunt, “Quiet…” is an intimate post-apocalyptic tale that examines the dynamic of a besieged family. It was made with limited resources; happily talent was not one of the rationed goods.

We first meet the clan — I don’t believe their names are ever mentioned — as they quietly pillage through the remains of an abandoned town.  Emphasize the “quietly” part.

Some sort of alien invasion or government experiment gone bad has unleashed nasty spider-like creatures (we don’t get a good look at them until late in the proceedings) who have an insatiable appetite for mammalian blood.  Only three months after these creatures made their appearance, the human race is teetering on the edge of extinction.

This particular family — Mom (Blunt), Dad (Krasinski), Big Sister (Millicent Simmonds) and Little Brother (Noah Jupe) —  have survived in large part because Big Sister is hearing impaired and the other family members are fluent in sign language. They are able to silently communicate with their hands (what conversation the film offers is rendered in subtitles) and this has allowed them to elude the marauding invaders, who are sightless but have  a finely developed sense of hearing.

After a jarring prologue we find the characters living on a farm, spending much of their time in a basement bunker. They don’t wear shoes (bare feet make less noise) and move with slow deliberation.  They have laid paths of sand around the farmstead…sand absorbs the sound of footsteps. (more…)

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John Krasinski, Margo Martindale

John Krasinski, Margo Martindale

“THE HOLLARS” My rating: C+

98 minutes | MPAA rating: PG-13

John Krasicki’s strengths as an actor — a sly sense of humor, emotional openess, a charitable view toward his own and other actors’ characters — are also on display in his feature film directing debut.

But despite a cast to die for and some heartfelt sentiment, “The Hollars” is a near miss, a movie in which everything seems just a degree or two out of whack.

Jim Strauss’s screenplay is yet another dysfunctional family dramedy.

Illness in the family brings NYC office drone John Hollar (Krasinksi) back to his middle American hometown. He leaves behind his pregnant girlfriend Rebecca (Anna Kendrick) and a dead-end job — what he really wants to do is write and illustrate graphic novels.

Ma Hollar (Margo Martindale) has been diagnosed with a brain tumor.  Even with that against her she shows more common sense than the menfolk of her clan, who are more or less eccentric idiots.

Dad Hollar (Richard Jenkins) lives in an emotional bubble of denial. Whenever he steps out of that bubble he collapses in tears. And he’s run the family’s plumbing business into the ground, forcing him to fire his oldest son Ron (Shallot Copley), who now lives in the basement.

Ron is a near-moron who is stalking the ex-wife with whom he has two little girls. And he harbors some absurd notions about minorities (he assumes that his mother’s surgeon, an Asian American, must be a master of at least one martial art).

(more…)

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