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Posts Tagged ‘Mad Max’

mad max fury road“MAD MAX: FURY ROAD” My rating: B

120 minutes | MPAA rating: R

There is dialogue in the new Mad Max film — mostly delivered in a nearly indecipherable variety of Aussie English — but it really isn’t necessary.

You could eliminate all the words or replace them with made-up gibberish and this still would be the same movie, still a symphony of speed and violence, still a textbook example of visual storytelling.

It’s been 30 years since director George Miller wrapped up his Mad Max trilogy and moved on to projects like the family-friendly “Babe” and “Happy Feet.”  But he remains fascinated with Max’s post-armageddon comic-book world, a world filled with great deserts, rusty cars and trucks cannibalized into bizarro war machines, and traversed by that lonely warrior, Mad Max.

This “Max” is bigger, badder and noisier than previous entries. There’s never been much room in the series for human concerns, and this time around there’s even less.

Even the character of Max (Tom Hardy replacing Mel Gibson) is little more than a physical presence.

But as a mind-boggling exercise in pure action “Mad Max: Fury Road” is overwhelming, achieving the sort of visual poetry typically ascribed to “Ben-Hur’s” chariot race or one of Sam Peckinpah’s blood ballets.

Max, a prisoner of the despotic desert king Immortan Joe (Hugh Keays-Byrne, who played the villain Toecutter in the first “Mad Max” back in ’79), finds himself swept along on a mission of vengeance and recovery.

Immortan Joe’s five wives — gorgeous young women apparently free of the diseases afflicting most of surviving mankind — have escaped with the help of Imperator Furiosa (Charlize Theron, with shaved head and a missing arm), a sort of over-the-road trucker.

Now they’re being pursued across a dusty wasteland (filmed in the sands of Namibia) by the angry husband/king and hundreds of souped up vehicles outfitted with flamethrowers, monstrous crossbows and other jerry-rigged implements of mayhem.

Furiosa’s goal is to find “the green place,” an oasis of water and peace remembered from her childhood. Good luck with that. (more…)

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Guy Pearce, Robert Pattinson in "The Rover"

Guy Pearce, Robert Pattinson in “The Rover”

“THE ROVER”   My rating: B- (Opening Jan. 20 at the AMC Town Center)

102 minutes | MPAA rating: R

There must be something about the wide open spaces of Australia’s outback that drives its filmmakers to post-apocalyptic nihilism.

George Miller and the “Mad Max” films.   John Hilcoat with “The Road” and “The Proposition.”

And now David Michôd with “The Rover,” a sweaty, dusty saga about a man in search of his kidnapped car.

Michôd scored a minor coup in 2010 with “Animal Kingdom,” an intimate portrait of a low-level Aussie crime clan that introduced to American audiences the great Jackie Weaver (who nabbed an Oscar nomination). It  was a dark, generally hopeless look at the ties that bind its characters to an evil enterprise.

Now  Michôd goes full-tilt dystopia. The opening credits of “The Rover”  informs us that the story takes place 10 years after “the collapse,” a worldwide economic meltdown that has left most of humanity struggling with chronic poverty.

(more…)

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