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Mark Ruffalo, Imogene Wolodarsky, Ashley Aufderheide

Mark Ruffalo, Imogene Wolodarsky, Ashley Aufderheide

“INFINITELY POLAR BEAR” My rating: C+

90 minutes | MPAA rating: R

There are moments in “Infinitely Polar Bear” that feel so true and right that you just know they were lifted directly from the life of filmmaker Maya Forbes.

Starring Mark Ruffalo and Zoe Saldana, the picture is based on Forbes’ childhood, when for several months she and her younger sister were raised by their mentally troubled father while their mother earned an MBA.

When it comes to depicting the ups and downs of a person with bipolar disorder, this movie is right on target.

But  Forbes has been unable to fashion these incidents into a compelling narrative. For all the authenticity of its situations, “Infinitely Polar Bear” (that’s the girls’ code for their father’s bi-polar issues) is an emotionally muted and frustrating experience.

Cameron Stuart (Ruffalo) is a loving dad, if an unreliable provider.  The black sheep son of Boston Brahmins, he is unable to hold a job and supports his wife Maggie (Saldana) and his daughters Amelia (Imogene Wolodarsky) and Faith (Ashley Aufderheide) with a monthly stipend provided by his rich grandma.

That’s just enough money to pay for a cheap apartment and food for the table.

Maggie, who has the patience of a saint, somehow copes with Cameron’s mood swings.   Sometimes he is crazily active, seizing on some event or activity and devoting himself to it with religious zeal.  This is why the apartment looks like hoarder central, littered with greasy bicycle parts and other projects that never quite get completed.

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Kiera Knightley, Mark Ruffalo in "Begin Again"

Keira Knightley, Mark Ruffalo in “Begin Again”

“BEGIN AGAIN” My rating: B (Opening July 2 at the Glenwood Arts)

104 minutes | MPAA rating: R

“Begin Again” is only half the movie that “Once” is.

But it should still be enough to jump start the career of filmmaker John Carney.

“Once,” of course, was Carney’s 2006 art house hit about a tentative romance between a Dublin street busker and a Polish immigrant. This mini-budget wonder, largely improvised and featuring an astounding soundtrack written by the two “stars” (Glenn Hansard, Marketa Irglova), introduced the Oscar-winning song “Falling Slowly.” It was a new kind of intimate musical, and a bittersweet romance of epic proportions. (It has gone on to become a hit on Broadway).

But the ensuing years have not been kind to writer/director Carney, who used his newfound fame to make two instantly forgettable features: the clumsy visitor-from-another-planet comedy “Zonad” (2008), which was released in the US only on home video, and the supernatural thriller “The Rafters” (2012), which as far as I can tell has been seen by practically no one.

Which brings us to “Begin Again,” an effort to recapture some of the magic of “Once.”

It’s about music. It’s about love.

And it’s actually not bad.

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Now-You-See-Me-01“NOW YOU SEE ME” My rating: C (Opening wide on May 31)

116 minutes | MPAA rating: PG-13

Big, slick and determined to wow us with its amazingness, the magic-themed caper film “Now You See Me” is less a David Copperfield spectacular than a fumbled bit of sleight-of-hand as performed by “Arrested Development’s” Gob Bluth.

The movie starts falling apart as soon as it begins. “Now You See Me” isn’t about the characters and it certainly isn’t about stage magic. It feels like something the screenwriters (Ed Solomon, Boaz Yakin, Edward Ricourt) cooked up on a dare, vying to establish the most outlandish, complicated yarn possible.

What they’ve produced is a towering house of cards that any two-year-old could knock over.

At the outset of Louis Leterrier’s film we’re introduced to four struggling street magicians, each of whom has a magic specialty.  Daniel  (Jesse Eisenberg) is a cocky card manipulator and illusionist. Henley (Isla Fisher) is an escape artist. Jack (Dave Franco…James’ brother) is an accomplished pickpocket. Merritt (Woody Harrelson) is a mentalist/hypnotist.

These rivals are recruited by a mysterious, unseen individual to form a big Las Vegas magic act, the Four Horsemen.

On their opening night the Horsemen “teleport” a French vacationer to the vault of his bank in Paris, where millions in Euros are sucked up into an air vent and end up fluttering over the delighted audience back on the Strip.

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