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Posts Tagged ‘Michelle Dockery’

“DOWNTON ABBEY” My rating: B+ 

122 minutes | MPAA rating: PG

Feature film spinoffs of successful TV series have an iffy track record (“Sex and the City,” “Entourage,” “Absolutely Fabulous”), but the folks at “Downton Abbey” have done it right.

The new “Downton Abbey” movie is an astonishingly effective piece of work, one that hits all the notes that made the TV show so successful and then adds a couple of new ones.

Will the movie make sense to anyone who wasn’t glued to PBS on Sunday nights?  Well, maybe, but the real pleasure here comes from continuing our relationships with characters we already know inside out.  It’s like a family reunion…only you actually like hanging with this family.

Writer Julian Fellowes, who created the series and scripted most of its episodes, provides a screenplay that gives almost every member of the huge cast at least one memorable moment and effortlessly balances multiple story threads.

Director Michael Engler deftly handles the pacing and the impressive technical production (he’s in charge of the actors, too but since most of these players have been doing their characters for the better part of a decade, how much coaching could they have required?).

The plot? Well, there are a dozen of them, but the overriding one has the King and Queen visiting Downton. It’s like when the FBI takes over a local murder investigation…Their Majesties’ arrogant retainers invade the Abbey, relegating the resident staff to observer status.  But not for long, thanks to machinations that come off as a more genteel iteration of “Revenge of the Nerds.”

(more…)

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Charlotte Rampling, Jim Broadbent

“THE SENSE OF AN ENDING” My rating: B

108 minutes | MPAA rating: PG-13

Most of us struggle with some aspect of our pasts.

A relationship that ended badly.  Behavior we regret. Guilt. Loss.

“The Sense of an Ending” is about one man’s attempts to reconcile his present with what came before, and the rationalizations and self-delusions that allow him to finally come to terms.

Ritesh Batra’s film, adapted from Julian Barnes’ award-winning novel by Nick Payne (author of the trippy stage drama “Constellations”), unfolds simultaneously both in the present and nearly a half century earlier.

In the here and now Tony Webster (Jim Broadbent) operates a hole-in-the-wall camera shop specializing in antique Leicas. He’s a semi-curmudgeonly divorced man, but he has a civil if mildly confrontational relationship with his ex, Margaret (Harriet Walter), and with their daughter, Susie (Michelle Dockery), a single mother-to-be (Tony accompanies her to birthing classes).

His rather dull life is enlivened by a mystery from his past. Tony receives legal notice that he’s been named a beneficiary in the will of a woman he hasn’t seen in 50 years.

In flashbacks we see how young Tony (Billy Howle) fell for rich girl Veronica (Freya Mavor) and was treated to a long weekend at the home of her family. There he met Veronica’s rather flamboyant (and possibly predatory) mother, Sarah (Emily Mortimer).

Anyway, Tony broke up with Veronica, who rebounded by starting up with Tony’s friend and classmate Adrian (Joe Alwyn).  Not long into that relationship the sensitive Adrian mysteriously killed himself.

It is Adrian’s diary which the late Sarah has bequeathed to Tony.  Why did she cling for decades to the journal of her daughter’s dead boyfriend?

And why is her daughter Veronica (played as an adult by the sublime Charlotte Rampling) unwilling to turn over Adrian’s diary despite the threat of legal action?

Goodness. What bombshells might reside on its pages? (more…)

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