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Greta Gerwig, ***

Greta Gerwig, Lola Kirke

“MISTRESS AMERICA”  My rating: B (Opens Aug. 28 at the Glenwood Arts)

84 minutes | MPAA rating: R

My appreciation of the filmic collaborations of director Noah Baumbach and comic actress Greta Gerwig (“Greenberg,” “Frances Ha”) has been an on-and-off affair. Their latest, “Mistress America,” is definitely an on.

It is, in fact, about as close to a classic screwball comedy as we’re likely to witness in this era of “duh” cinema — wonderfully acted and impeccably timed.

The film begins with an insightful five-minute montage depicting the early days on an NYC campus of Tracy (Lola Kirke), a freshman who dreams of a career as a writer. Instead of life-changing experiences, Tracy finds herself lonely and isolated.

Relief arrives in the form of Brooke (Gerwig), a 32-year-old whirling dervish of energy and ambition who introduces Tracy to the odder corners of the Big Apple.  Tracy’s mother and Brooke’s father are engaged; the two women will soon be stepsisters.

Brooke immediately begins introducing Tracy to her bohemian pals as “my baby sister, Tracy.”

Here’s the thing about Brooke:  She’s all fervent ideas and no followthrough. Her current project is a restaurant that would be a bizarro amalgam of eatery, community center and hair salon.

Brooke has a motormouth that is several blocks ahead of her brain; she converses in a form of East Coast Valley Girl-ese with a stream-of-consciousness style worthy of James Joyce. She’s exhausting, but oddly delightful.

One acquaintance says of her: “I don’t know if you’re a Zen master or just a sociopath.”

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