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Posts Tagged ‘Nell Williams’

Viveik Kalra

“BLINDED BY THE LIGHT” My rating: B+  (Opens wide on Aug. 14)

117 minutes | MPAA rating: PG-13

“Blinded by the Light” is a valentine to Bruce Springsteen and his music.

But it’s a whole lot more.

Based on Sarfraz Manor’s memoir of growing up in provincial Britain, the latest from director Gurinder Chadha (“Bend It Like Beckham”) is infused with the Boss’s art and ethos, but it is also a surprisingly moving coming-of-age story.

And in newcomer Viveik Kalra the film has a sweet, absolutely huggable hero whose dreams and travails become our own.

Life sucks for Javed (Kalra), whose immigrant Pakistani family lives in a characterless burg outside London.

His domineering, traditionalist father, Malik (Gulvinder Ghir), works in an auto plant; his mother Noor (Meera Ganatra) operates a tailoring shop out of the home. Jared’s two sisters glumly await the day their father will pick a husband for them.

At school Javed is viewed as a nerd hardly worthy of contempt…even so he finds himself subjected to the roiling anti-immigrant hatred brewing on the streets of Thatcher-era Britain (the setting is the mid-1980s).

In short, Javed is ripe for a major transformation when his equally uncool Sikh buddy Roops (Aaron Phagura) hands over to him two Springsteen tapes (“Darkness on the Edge of Town” and “The River”) with the admonition that Javed’s life is about to change.

No shit.

Ben Smithery’s camera zeroes in on Javed’s features as he gets his first listen to the Boss, and what passes across Kalra’s face can only be described as religious ecstacy. Springsteen’s music speaks directly to our man; songs about being an outsider, about the desperate need to escape a suffocating present, about finding redemption in cars and girls and rock ‘n’ roll.

Chadha ups the ante with a fantastic visual fillip: The actual song lyrics appear on the screen, enveloping Javed like a halo of words.  And throughout “Blinded…” she employs projections of Boss lyrics on walls, clouds…what had once been dreary slice of working-class England now seems charged with possibilities.

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