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Posts Tagged ‘Olivia Williams’

Judi Dench, Ali Fazal

“VICTORIA AND ABDUL”  My rating: B-  

112 minutes | MPAA rating: PG-13

Dame Judi Dench — who won an Academy Award for portraying one British monarch (Elizabeth I in “Shakespeare in Love”) and was nominated for playing another (Victoria in “Mrs. Brown”) — now goes for the trifecta with “Victoria and Abdul.”

Stephen Frear’s comic costume drama finds Dench once again in the glum mourning clothes of Queen Victoria, this time late in the monarch’s reign.

As you’d expect, this great actress eats up the screen, in the process compensating for a screenplay that isn’t exactly sure what it wants  to say.

This Victoria remains the isolated, lonely widow who in “Mrs. Brown” found companionship (and perhaps chaste romance) with her Scottish gamekeeper.  But now, several years down the road, she’s  getting a bit dotty. Dozing off at state dinners is  standard operating procedure. And she’s a voraciously fast diner, posing a problem for others who are expected to stop chewing when she does.

Victoria’s advisers and hangers on (played by a Who’s Who of Brit thesps like Michael Gambon, Tim Piggot-Smith and Olivia Williams)  are running the show in her intellectual absence. The  Queen’s influence is  limited to picking menus.

Based on a little-known historical incident,“Victoria and Abdul” centers on the arrival in court of Abdul Karim (Ali Fazal), one of the Queen’s Indian subjects who prior to this has been a humble clerk in a prison.

Abdul is tapped to represent India at the Queen’s Diamond Jubilee not because of his standing but because of his, er, standing — he’s a lanky fellow and clueless British officials reason that a tall man will look better presenting Her Majesty with a rare and precious gold coin from the subcontinent.

What nobody counts on is that the old gal will look into Abdul’s Omar-Sharif eyes and strike up a remarkable friendship, one that revitalizes Victoria’s mental faculties, sharpens her interest in affairs of state and threatens the status quo of the royal household.

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Julianne Moore

Julianne Moore

“MAP TO THE STARS” My rating: C

111 minutes | MPAA rating: R

There have been plenty of great movies about Hollywood.

“Sunset Boulevard.”

“The Bad and the Beautiful.”

“The Player.”

David Cronenberg’s “Map to the Stars” is not one of them.

It’s got a terrific cast (including recent Oscar winner Julianne Moore) and offers many observations about the pathetically fragile egos of those caught up in the celebrity/career cycle, and of the moral vacuum in which the entertainment industry operates.

What it hasn’t got is one character — just one — who isn’t either homicidal, mental, or otherwise set apart from the rest of us average folk. Now this may be a perfectly accurate reflection of life in LaLa Land,  but it makes for an uninvolving movie experience.

The screenplay by Bruce Wagner (“Scenes from the Class Struggle in Beverly Hills”) follows the template of a classic Robert Altman film.  Take an evocative setting (Hollywood, Nashville, a wedding, a health food convention) and toss into it a dozen or so characters whose trajectories intersect at various points.

It begins with the arrival in L.A. of Agatha (Mia Wasikowska), a fresh face from Middle America seeking her future and fortune in the city of angels. Did I say she had a fresh face? Not pecisely. Agatha has a huge scar on her left cheek and wears old-fashioned over-the-elbow lady’s gloves to hide what she says are burn marks.

She hires a limousine driver (Robert Pattinson, late of the “Twilight” franchise) to give her a tour of the sights and of celebrity residences. He’s actually an actor, he says, and is contemplating Scientology. “I was thinking about converting. Be a good career move.”

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