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Posts Tagged ‘Paul Thomas Anderson’

Daniel Day-Lewis

“PHANTOM THREAD” My rating: B (Opens Jan. 19)

130 minutes | MPAA rating: R

“Phantom Thread” is an exquisite love story.

“Phantom Thread” is a cynical black comedy.

That both of these statements are accurate suggests the complex mix of ideas, emotions and impulses percolating through Paul Thomas Anderson’s latest film.

That “Phantom Thread” also features what is allegedly Daniel Day-Lewis final screen performance (he and Anderson collaborated earlier on “There Will Be Blood”) makes it a must-see event.

Reynolds Woodcock (Day-Lewis) is the premiere dress designer in ’50s London. He caters to the rich and titled; his fashions are elegant and controversy-free.

His effete manner and rep as a lifelong bachelor might suggest to some that the graying Reynolds is gay, but they’d be wrong. Reynolds enjoys women on the physical level.  In fact, as the film begins he indicates over breakfast to  his sister-collaborator-facilitator  Cyril (Leslie Manville) that his current paramour has worn out her welcome.

It falls to Cyril to deliver the bad news and escort the rejected young woman from the premises; a great artist like Reynolds cannot be bothered with such mundane duties.

“Marriage would make me deceitful,” he says, as if using and discarding women somehow makes him honest.

Anderson’s screenplay follows Reynolds on a side trip to his family’s seaside cottage.  At a local tearoom he encounters  Alma (Vicky Krieps), an Eastern European immigrant waiting tables. She’s a woman with a real physical presence, not one of those wraithlike models he’s used to dealing with, and she knows nothing about Reynolds or his work.

Her lack of guile, non-glamorous appearance and forthright emotional bearing appeal hugely to the jaded dress designer. He brings her to London, installs her in his household, looks to her as his creative muse  and, finally, marries her: “I feel like I’ve been looking for your for a very long time.” (more…)

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Joaquin Phoenix, Josh Brolin

Joaquin Phoenix, Josh Brolin

“INHERENT VICE”  My rating: C

148 minutes | MPAA rating: R

Writer/director Paul Thomas Anderson has been on such a long, productive run (“Boogie Nights,” “Magnolia,” “There Will Be Blood,” “The Master”) that it was inevitable he’d mess up one day.

While you can’t categorize “Inherent Vice” as an outright disaster, it spends an awful lot of time going nowhere in particular. Mostly it spreads around lots of  stoner whimsey while wasting the efforts of a terrific cast.

It’s overlong, underpopulated with anything like real characterizations and — perhaps most frustrating of all — it’s a mystery yarn so uninvolving that 10 minutes after seeing it I could no longer recall who dunnit…or what they done.

Critics describe Inherent Vice as the most reader friendly of Thomas Pynchon’s dense, hallucinogenic novels.

As compared to what?  A trigonometry textbook?

It’s a riff on the classic L.A. detective yarn, set in the late 1960s and offering as our private eye protagonist a ganja-addled, sandal-wearing doofus.

“Doc” Sportello (Joaquin Phoenix, sleepy-eyed and moving at half speed)  is a beach-dwelling sleuth with offices in a free health clinic. He’s visited one night by his former girlfriend, Shasta (Katherine Waterston), a one-time flower-power love bunny who is now the mistress of the ruthless Wolfmann (Eric Roberts), L.A.’s most celebrated real estate developer.

Shasta tearfully asks Doc’s help in stopping a conspiracy by Wolfmann’s wife and her lover to have him committed to a mental institution. Doc — who for all his pharmaceutical excesses works to maintain his integrity — assents for old time’s sake.

But then both Wolfmann and Shasta go missing, and Doc finds himself dealing with coke-snorting dentist Rudy Blatnoyd (Martin Short),  killer Adrian Prussia (Peter McRobbie), and a sax-playing junkie (Owen Wilson) who was declared dead but is now back among the living.  Not to mention the Golden Fang, a vast drug-smuggling cartel.

(more…)

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