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Posts Tagged ‘Rhys Ifans’

Keira Knightley

“OFFICIAL SECRETS” My rating: B- 

111 minutes | MPAA rating: R

There are moments when “Official Secrets” doesn’t seem to know just whose story it is telling; others when the dialogue sounds more like speechifying than regular conversation.

Still, there’s something so vital about the material it covers — the British government’s complicity in the Bush White House’s half-assed plan to invade Iraq — that Gavin Hood’s fact-based docudrama demands to be seen.

In 2003 Katharine Gun, an analyst with Her Majesty’s spy service, received an unexpected email.  In this message — also received by all of her co-workers — the American CIA urged everyone to be on the lookout for dirt that could be used to force recalcitrant members of the United Nations Security Council into voting for a US/British invasion of Iraq.

Gun was both surprised that she received the email — her regular gig was translating intercepted Chinese telephone communications — and appalled that the Yanks and her own people were so nonchalantly encouraging the entire apparatus of British intelligence to participate in a blackmail scheme for the purpose of rushing into an unjust war.

So she surreptitiously copied the email and gave it to an anti-war activist friend, who passed it on to a newspaper reporter, who with his colleagues spent months verifying the truth of the communication.

Eventually the story was published, but not without some unexpected blowback.  Before it hit the printed page, an unsuspecting editor ran the copy through Spell Check, which changed all the American spellings in the CIA email to British, thus leading to accusations that this was a British-generated fake document.

Spell Check strikes again.

As scripted by Hood, Gregory Bernstein and Sara Bernstein (from Marcia Mitchell and Thomas  Mitchell’s book The Spy Who Tried to Stop a War), “Official Secrets” is essentially a procedural docudrama populated by an A-list British cast.

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Mia Wasikowska as Emma Bovary

Mia Wasikowska as Emma Bovary

“MADAME BOVARY” My rating: B 

118 minutes | MPAA rating: R

It is wise to approach a new screen version of Flaubert’s “Madame Bovary” with caution. (And today in KC we see the openings of two cinematic interpretations…see my review of “Emma Bovary.”)

In even the best of productions Flaubert’s tale of a foolish young wife — so convinced that she deserves a life of romance and luxury that she drives herself and her poor sap of a husband to ruin — is a downer.

The movies’ track record with Emma Bovary is spotty.  Americans are most familiar with the 1949 version starring Jennifer Jones, a spectacular beauty who oozed sexuality. It was easy enough to view her Emma as born to wickedness, and the character’s ultimate downfall must have proven particularly satisfying to misogynists who could argue that this is just the way these silly women are.

Now director Sophie Barthes emphasizes the tragedy in Flaubert’s tale by casting as Emma the wan Mia Wasikowska, who at age 25 could pass for a teenager. No voluptuary, Wasikowska — we first noticed her as the title character in Tim Burton’s “Alice in Wonderland” — has the physical presence of  a gawky adolescent.

In fact, Barthes and Felipe Marino’s screenplay opens with young Emma being educated by nuns. She’s a free spirit, though, who won’t follow instructions, and the next thing you know she’s being married off to country doctor Charles Bovary (Henry Lloyd-Hughes) and planted in his drab house in a drab village filled with drab people.

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“ANONYMOUS”  My rating: B (Opening wide on Oct. 28)

130 minutes | MPAA rating: PG-13

Here’s a sentence I never expected to read, much less write:

Director Roland Emmerich has made a movie of ideas.

Yes, the man who gave the world high-concept, nutritionally light hits like “Stargate,” “Independence Day,” “Twister,” “Godzilla,” “The Patriot,” “The Day After Tomorrow” and “2012” has put on his thinking cap and delivered a Gordian knot of convoluted history from Elizabethan England.

And if his “Anonymous” is a largely chilly and cerebral affair, it’s positively overflowing with brain-tickling notions.

Nominally this is the story of Edward DeVere, Earl of Oxford, a member of the court of Elizabeth I who in some quarters has been credited with being the true author of Shakespeare’s plays and poems.

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