“THE JUSTICE OF BUNNY KING” My rating: B (On demand)
101 minutes | No MPAA rating
Thanks to cable’s popular “Miss Fisher” mysteries and her knockout turn in the horror entry “The Babadook,” Aussie actress Essie Davis has been working her way toward name recognition with American audiences.
In “The Justice of Bunny Fisher” the versatile actress slips effortlessly (or so it seems) into the skin of a homeless woman battling personal demons and a system that seems designed to grind her down.
We meet the title character of Gayson Thavat’s ashcan drama (his feature directing debut) on the streets of a New Zealand burg. The middle-aged woman is equipped with squeegee and bucket; with a crew of fellow jobless citizens she picks up a few bucks washing the windshields of motorists waiting for the lights to change.
Despite her circumstances Bunny puts up a positive front (no doubt she’s learned that a happy facade results in bigger tips) — at least until she pays a visit to a shelter where her two children (a 14-year-old boy and a 6-year-old girl) are being housed.
Bunny, you see, has a criminal record. The government has doubts about her ability to care for her children. And it’s not just a question of means…Bunny’s mental health is an iffy thing.
Thavat’s film, co-written with Sophie Henderson and Gregory King, follows Bunny’s determined efforts to be reunited with her kids. But it’s just one damn thing after another.
Bunny has been crashing with her sister and brother-in-law (Angus Stevens). a creep with a thing for teenage girls and an eye for his stepdaughter Tonyah (the great Thomasin McKenzie). When things go south with her relations Bunny lands on the couch of one of her fellow windshield wipers…briefly, at least, she can bask in the warm vibes of the guy’s big Maori household.
We see her hitting the thrift shops, looking for an ensemble that will allow her to pass for semi-solvent. But the never-ending maze of bureaus and regulations she must navigate would prove daunting even for a mom with major resources. How’s Bunny supposed to pull it off?
With its social conscience on its sleeve, sympathetic depiction of working-class life and semi-documentary style (mostly handheld cameras and a real eye for detail), “…Bunny King” bears more than a little resemblance to the films of Brit rabble rouser Ken Loach.
And like a typical Loach effort, the film puts us through some majorly disheartening moments that are made endurable by the terrific acting, which discovers human truths that transcend the misery.
Eventually the film settles down to a situation recalling “Dog Day Afternoon.” Our heroine goes on the run with her willing niece (technically, it’s kidnapping) and the film’s final segment is a tense nail-biter. A happy ending does not seem to be in the cards.
Davis’ performance here is jaw-droopingly nuanced. Beneath Bunny’s maternal drive we sense a woman who is simultaneously furious and frantic, who makes astonishingly bad decisions for the right reasons, who earns our respect and our pity.
Breathtaking stuff.
| Robert W. Butler
Butler's Cinema Scene 