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Posts Tagged ‘Tim Sutton’

Jamie Bell

“DONNYBROOK”  My rating: C (Opens Feb. 15 at the Screenland  Tapcade)

101 minutes | MPAA rating: R

“Donnybrook” is a fistful of  cheap melodrama, what with its emphasis on the drugs and violence its protagonist encounters en route to an underground bareknuckle slugfest.

At least give writer/director Tim Sutton props for trying to elevate this yarn with the sort of ashcan realism and social commentary most commonly found in the work of Brit auteur Ken Loach (“The Angels’ Share,” “Jimmy’s Hall,” “I, Daniel Blake”).

Which is not to say that Sutton pulls it off. You can see him struggling to give this chunk of cheese relevance by peppering it with  observations on blue-collar American angst.  That approach worked in “Hell or High Water”; here not much of it sticks.

When we first encounter Jarhead Earl (Jamie Bell…yeah, the original Billy Elliott) he’s robbing a gun store and smashing the owner in the face.  This is our hero?

Well, yeah.  Jarhead  may do bad things, but he does them to support his meth head wife (Valerie Jane Parker) and two young kids. By the logic of “Donnybrook” this makes him a hero.  Everybody else in sight is far worse.

Especially Chainsaw Angus (Frank Grillo), the neighborhood drug dealer.  Accompanied by his sister Delia (Margaret Qualley),  with whom he has a master/slave relationship that reeks of incest, Chainsaw cuts a wide path of bloody destruction.  He may be the only dealer who’d rather kill his clients than sell them drugs.

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darknight-theater“DARK NIGHT”  My rating: B- 

85 minutes | No MPAA rating

Tim Sutton’s “Dark Night” is about a mass shooting at a shopping mall cinemaplex.

Sort of.

Unlike Gus van Sant’s 2003 “Elephant,” about a Columbine-style high school massacre, “Dark Night” never shows us the mayhem.

In fact,  the bulk of the picture’s 85-minute running time is devoted to depicting the activities of a handful of Floridians, most of them teens, as an average day wends its way toward night.

A young man walks his pit bull. A girl takes selfies of herself in her undies. People watch TV. Skateboard. We follow one gaunt, tattooed young man as he attends a support group for war vets with adjustment issues.

The acting from the cast of unknowns is so low-keyed and naturalistic that often “Dark Night” feels like a documentary.

There’s very little dialogue, most of it coming from a mother and twentysomething son who are giving a talking head interview to an unseen filmmaker. Why are they being interviewed? Sutton’s screenplay never explains.

Where is all this going?  There are hints, beginning with the film’s title.

“Dark Night” is a play on “The Dark Knight Rises,” the movie that was on the screen during the 2012 Aurora, Colorado multiplex massacre.  And early in this film a TV news show features a report on Aurora shooter James Holmes.

Scattered throughout are unspecific intimations of violence to come.  A trip to a shooting range.  A  young man cleans his collection of firearms. Kids play first-person shooter video games. A young man dyes his hair the same day-glo orange as Holmes did.  Teen girls race past the camera screaming…and then dissolve in laughter.

One of these characters is going to go on a shooting spree.  Which one?  Sutton gives us several candidates. (In modern America, he seems to be saying, potential murderers are everywhere.)

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