“OBVIOUS CHILD” My rating: B (Now showing at the Tivoli and Leawood theaters)
84 minutes | MPAA rating: R
It’s about a young woman struggling to make it in the world of stand-up comedy. The lead character is played by Jenny Slate, who is in fact an stand-up comic, as well as a past cast member of “Saturday Night Live.”
At this point you might jump to the conclusion that Gillian Robespierre’s “Obvious Child” is a comedy.
Well, it is, but not like any comedy we’ve seen lately. It has more in common with dramadies like the cable hits “Girls” and “Nurse Jackie” than your usual rom-com fare. The humor on display elicits as many gasps as guffaws. It’s not so much funny ha-ha as funny weird.
And in its final passages, “Obvious Child” (the title comes from the Paul Simon hit of the same name) achieves a bittersweet blend of hope and loss that is more moving than any plain comedy has a right to be.
Slate’s Donna Stern lives in Brooklyn, works in a fusty old bookstore that specializes in anti-imperialist and non-exploitative works (it actually says so in the store’s name), and spends her after hours at the local open mic night.
As the film begins she learns that her boyfriend has been sleeping with her best friend. The ballsy comic with the potty mouth melts into a weeping mess who spends much time burrowing into the familial warmth of her divorced parents (Richard Kind in absent-minded professor mode, Polly Draper as a college business professor — both excellent).









