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X-MEN: FIRST CLASS  My rating: B-

132 minutes | MPAA rating: PG-13

There are moments in “X-Men: First Class” that are so good they almost don’t belong in a superhero movie.

This is a backhanded compliment, I know. But that’s how I feel about the genre — the less it’s like a superhero movie, the better.

And before it backslides into the usual cliches, “First Class” delivers some very interesting stuff.

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“Forks Over Knives”  My rating: B 

90 minutes | No MPAA rating

Eat your veggies.

That’s the message of “Forks Over Knives,” a new documentary that argues that most of the physical maladies afflicting modern man — obesity, diabetes, cancer, pulmonary disease — could be hugely reduced if we steered clear of meat and dairy and chowed down on fresh vegetables, fruit and whole grains.

Lee Fulkerson’s film joins a growing list of titles (“Food, Inc.,” etc.) pushing for a radical rethinking of America’s diet. It presents a thorough, hard-to-refute case based largely on decades of research by two physicians, Caldwell Esselstyn Jr. and T. Colin  Campbell, both of whom grew up on dairy farms and later rejected the dietary wisdom of their youths.

“Forks…” is convincing, citing research Continue Reading »

JUNE  2:

Wes Studi and Fred Andrews at the 2009 film festival

Fred Andrews, founder of the Kansas City Filmmakers Jubilee, announced today that he was stepping down from the helm of the organization he has run for 15 years.

At a meeting requested by Andrews and attended by about 20 persons — mostly members of the Jublilee’s board of directors, advisory board and volunteers — Andrews said his resignation was effective immediately.

He said his decision was prompted both by his health — two years ago he was diagnosed with an aggressive form of cancer — and by the belief of at least some board members that it was time for him to leave.

Andrews said he recently was approached by a long-time associate of the Jubilee “who told me I needed to step down. I’d have preferred it to be handled differently, in a conversation rather than an ultimatum.”

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For a long time gay cinema had basically one story: the coming-out tale.

But the liberalization of public attitudes about homosexuality (for most people under age 40 it’s simply not an issue) has meant that a “gay movie” now can be many things.

At the center of the Peruvian feature “Undertow” (on DVD May 31) is a same-sex relationship, but you’d be doing the picture a disservice by pigeonholing it as a gay movie.

Writer/director Javier Fuentes-Leon packs this feature with all sorts of good stuff. It’s a very realistic Continue Reading »

“KUNG FU PANDA 2”  My rating: C

minutes | Rating: G

“Kung Fu Panda 2” is one of the most beautiful animated films ever, with fantastic action scenes, astonishingly detailed “sets” and a filmic sense worthy of any live-action epic.

It’s a good thing it’s so gorgeous, because dramatically it’s pretty much a wash.

Not awful. But not memorable.

This sequel assembles most of the voices from the first “Panda,” especially Jack Black Continue Reading »

“THE FIRST GRADER”  My rating: C 

103 minutes | PG-13

“The First Grader” is well-meaning, sincere and a bit dull.

Too bad. It had the makings of a real emotional powerhouse, but somehow all the juice in this fact-based tale dried up on the way to the screen

Oliver Litono as "The First Grader'

Ann Peacock’s screenplay is based on events in the life of Kimani N’gan’ga Maruge, a Kenyan who at the age of 84 decided he wanted to learn to read and write.

His efforts to get an education set off a firestorm of controversy, Continue Reading »

“QUEEN TO PLAY”  My rating: B+ 

97 minutes |  No MPAA rating  | French with subtitles.

“Queen to Play” is a devastatingly romantic movie about a woman falling in love.

Not with a man. With the game of chess. And with herself.

Sandrine Bonnaire (“Vagabond,” “M. Hire”) is Helene, a working-class wife and mother. Her husband Ange (Francis Renaud) works construction, while Helene is a maid at a small hotel on their spectacularly beautiful island of Corsica. She also cleans houses.

Early in Caroline Bottaro’s debut feature, Continue Reading »

“THE HANGOVER PART II”   My rating: B

102 minutes | Rating: R

In comedy funny trumps everything else.

“The Hangover Part II” isn’t smarter than, say, “Bridesmaids.” And it has little of the emotional heft of a truly great comedy like “Local Hero” or “Groundhog Day.”

But it’s still about the funniest thing to hit the screen in a long while — providing you’ve got a high threshold for raunchy outrageousness.

You can’t accuse its makers of messing around too much with a successful format. Despite a change of locale — sinful Bangkok takes the role previously played by sinful Las Vegas — this sequel is a recycling of characters and incidents from the first film. That might be a liability if it wasn’t so damn hilarious.

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"Winter in Wartime"

“WINTER IN WARTIME”    My rating: B

103 minutes | Rated R | Dutch with subtitles.  

A child’s simplified view of right and wrong is shattered in “Winter in Wartime,” a snowbound drama from the Netherlands.

Elsewhere in Europe WWII is still raging, but in the town where young Michiel (Martijn Lakemeier) lives the horrors are far away.

Still, Michiel hates the occupying Germans and is contemptuous of his father Johan (Raymond Thiry), the local mayor who spends much time trying to smooth over prickly relations between the Nazis and resentful residents. Johan wants only to ensure the survival of his people, but Michiel views him as a cowardly collaborator.

Far more worthy of emulation, he believes, is his Uncle Ben Continue Reading »

MEEK’S CUTOFF”  My rating: B-

1:44 | Rated PG     

In her minimalist features “Old Joy” and “Wendy and Lucy,” filmmaker Kelly Reichardt quietly explored relationships among unremarkable individuals in contemporary America.

In “Meek’s Cutoff” she takes the same lightly-plotted approach with the members of a small wagon train slogging along the Oregon Trail in the 1840s.

“Meek’s,” which might be described as a proto-Western, is a daring change of pace, one that has a big payoff intellectually but less of one emotionally and narratively.

The three married couples that make up the tiny caravan are being led by Meek Continue Reading »