Feeds:
Posts
Comments

Posts Tagged ‘Adam Sandler’

Juancho Hernangomez, Adam Sandler

“HUSTLE” My rating: B- (Netflix)

117 minutes | MPAA rating: R

Even Adam Sandler haters should have a good time with “Hustle,” a warm-hearted sports drama that taps into the acting chops Sandler demonstrated in “Uncut Gems” without the attendant angst and anger.

Sandler plays Stanley Sugarman, a globe-trotting scout for the Philadelphia 76ers. A former college player who screwed up his hand in a car accident, Stanley worships the game of basketball. But years of nearly nonstop travel checking out far-flung potential players have taken their toll…Stanley has spent a big chunk off his life away from his wife (Queen Latifah) and tweener daughter (Jordan Hull).

And then there’s his unfulfilled ambition to become a coach. The team’s aged owner (Robert Duvall) is amendable, but his dickish son and heir (Ben Foster, at his dickishest) wants to keep Stanley exactly where he is. This arrogant tool doesn’t care if Stanley always misses his kid’s birthday parties.

Taylor Materne and Will Fetters’ screenplay centers on Stanley’s discovery in Spain of towering amateur player Bo Cruz (real-life NBA pro Juancho Hernangomez), who shows up on the public courts wearing clunky work boots and humiliates all comers.

“It’s as if Scottie Pippen and a wolf had a baby,” Stanley marvels.

On his own dime Stanley brings Bo back to the States, only to find that his bosses don’t see the same potential he does. The plot has Stanley underwriting Bo’s total-immersion training regimen in preparation for an appearance at the NBA draft combine, where hopeful players get to strut their stuff before team owners and coaches.

“Hustle” is packed to the gills with sport-flick cliches. There’s coach/player bonding, an extended (too extended, in fact) training montage, and the usual roadblocks that threaten to derail Bo’s journey to the pros.

But under Jeremiah Zagars’ direction and thanks to a supporting cast of real-life NBA legends (Julius Erving, Allen Iverson, Charles Barkley, Shaquille O’Neal — it’s like a sports-themed edition of “Where’s Waldo”), “Hustle” feels authentically lived in.

Indeed, one gets the impression that everyone involved in this project absolutely loves the game, and that affection wraps the enterprise in a warm glow.

The seriocomic interplay between Sandler’s and Hernangomez’s characters feels absolutely authentic…maybe Hernangomez is just playing himself, but he seems utterly at ease in front of the camera.

The result is two hours of feel-good that goes down easily. For basketball fans the whole experience should prove borderline orgasmic.

| Robert W. Butler

Read Full Post »

Adam Sandler

“UNCUT GEMS” My rating: C+

135  minutes | MPAA rating: R

Funnyman Adam Sandler undergoes a remarkable transformation in  “Uncut Gems.”  He’s really, really effective as a Diamond District hustler whose debts and sins are rapidly closing in on him.

That said, the latest from the writing/directing Safdie Brothers (Benny and Josh) is like having an irate New Yawk cabbie screaming nonstop in your ear for two-plus hours.

Sandler plays Howard Ratner, the middle-aged proprietor of a Manhattan jewelry store.  He calls himself a jeweler but he’s not so much an expert in gemology as he is a full-time con artist, always looking for his next (not necessarily legal) kill.

Howard is an inveterate gambler who always is nurturing a get-rich-quick scheme.  He’s got a furious wife (Idina Menzel) and kids in the ‘burbs,  a girl squeeze (Julia Fox) he keeps in an apartment in the city, and a crushing gambling debt that finds him being stalked by a pair of underworld enforcers  (Tommy Dominik, Keith William Richards).

Howard’s sure that his latest scheme will turn everything around. He has somehow gotten his hands on a “black opal,” a fist-sized gem smuggled out of Africa.  He’s already arranged to have this spectacular rock sold by a prestigious auction house; surely it will leave him set for life. Or at least alive.

Or maybe not.  His streetsmart associate Demany (LaKeith Stansfield) introduces Howard to basketball star Kevin Garnett (playing himself, and most convincingly), who so loves the big opal that he asks to carry it around with him for a few days. He comes to regard it as his good luck charm.

Always looking for an edge, Howard agrees, figuring that a generous gesture now will turn the sports millionaire into a long-term bling buyer. (more…)

Read Full Post »

Rosemarie DeWitt, Adam Sandler...always on line

Rosemarie DeWitt, Adam Sandler…always on line

“MEN, WOMEN & CHILDREN” My rating: C+ (Opens Oct. 17 at the Tivoli, Glenwood Arts and the Cinetopia)

119 minutes | MPAA rating: R

“Men, Women & Children” is a how-we-live-now movie, an attempt to capture the contemporary zeitgeist through multiple characters and several interlocking plot threads.

The late Robert Altman made how-we-live-now movies quite naturally (“Nashville,” “Short Cuts,” “A Wedding”). One of the best examples of the genre is Todd Solondz’s dark and bitterly funny “Happiness” (1998). Nicole Holofcener (“Friends with Money,” “Please Give”) is our current master of the form.

In “Men, Women & Children” writer/director Jason Reitman (“Juno,” “Up in the Air,” “Young Adult”) tackles the contemporary family.  The usual suspects are on hand: a suburban couple whose sex lives have hit a dead end, children trying to keep secrets from their parents, the young virgin misused by an older boy, first love, adults with toxic ambitions for their offspring.

Reitman attempts to tie all these loose ends together by stressing how instant internet access, smart phones, video games and other elements of our immersive electronic world have — far from bringing us together– isolated us, each in his own cocoon of “connectivity.”

He is only partly successful.

The film features a flabbergastingly deep cast.  Adam Sandler (in non-comic mode) and Rosemarie DeWitt are Don and Helen, marrieds who have become bored with each other.  He cruises internet porn and escort sites; she joins an online service for wives in search of sexual release.

Their son Chris (Travis Trope) is addicted to online sado-masochism and can’t quite function even when his school’s prettiest cheerleader, Hannah (Olivia Crocicchia), expresses an interest in a hook-up.

(more…)

Read Full Post »