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Posts Tagged ‘Klaus Barbie’

“RESISTANCE” My rating: C (Now available on Amazon Prime and other streaming platforms)

120 minutes | MPAA: R

Fiercely earnest but curiously unaffecting, Jonathan Jakubowicz’s “Resistance” is an inspired-by-fact World War II drama that shows a generally unrecognized side of Marcel Marceau, world’s most famous mime.

In pre-war France Marcel Mangel (Jesse Eisenberg) works in his father’s butcher shop but dreams of a life in the arts. At night he takes the stage at a local cabaret…we see him doing an act based on Charlie Chaplin.

Marcel is Jewish…nominally so.  His obsession with performing overshadows even the encroaching threat of Hitler’s forces.  His brother Sigmund (Edgar Ramirez) must shame Marcel into helping deal with newly-arrived German Jewish orphans who have been ransomed from the Nazi government.

Marcel claims to hate children, but warms up when he realizes that these traumatized kids are receptive to his mime routines…he at least can take their minds off the horrors they have endured. He forms a special bond with Elsbeth (Bella Ramsey, the tweener scene-stealer from “Once Upon a Time in Hollywood”). He also sticks around because he has the hots for Emma (Clemence Poesy), who is dedicated to the relief effort.

With the arrival of the Germans the young people in Marcel’s circle go underground, joining the Resistance and risking their lives to hide Jewish children (often by passing them off as Catholic orphans) and leading the youngsters on dangerous treks to sanctuary in Switzerland.

Though it has been sumptuously mounted and features several suspenseful sequences, “Resistance” is a dramatic mess.  Jakubowicz’s screenplay has no real center…it zigs and zags between numerous characters, including the infamous Gestapo torturer Klaus Barbie (Matthias Schweighofer), who has made it his mission to wipe out these Hebrew agitators.

There’s also a clunky framing device, a post-war segment featuring Ed Harris as American Gen. George S. Patton (the multi-lingual Marcel, reborn as Marcel Marceau, actually served as a liaison on Patton’s staff).

The major stumbling block here, though, is the film’s leading man.  Jesse Eisenberg just isn’t right as Marcel. He lacks gravitas, and would need Brando-level charisma to keep this sprawling yarn centered. He gets to recreate a couple of Marceau’s famous mime routines, but the results are uncomfortable…like swimming in a three-piece suit.

Also, he looks really uncomfortable in a beret.

| Robert W. Butler

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