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Posts Tagged ‘Luca Marinelli’

Luca Marinelli

“MARTIN EDEN”  My rating: B- (Ooens Oct. 16 at the Kansas City Tivoli at the Nelson Atkins’ Virtual Cinema)

129 minutes | No MPAA rating

Most of us know Jack London for  his perennially popular adventure yarns The Call of the Wild and White Fang.

But London scholars — and the author himself — have always gravitated to the 1909 novel Martin Eden as the ultimate Jack London statement.

In this semi-autobiographical story an impoverished young man educates himself, emerges as a writer of note,  and ultimately kills himself when he finds hollow the success he has always sought. (The novel has been viewed by some as a prediction of London’s mysterious death in 1916).

The book was set in turn-of-the-last-century Oakland.  Director Pietro Marcello and co-writer Maurizio Braucci have transplanted the yarn to Naples.  The change isn’t just geographical…this “Martin Eden” unfolds in two phases, the first a non-specific early 20th century milieu, the second an apparently modern one.

The resulting film is gripping in its first hour, thanks largely to star Luca Marinelli, who oozes early Sam Shepard machismo/sensitivity. The second half, though, bogs down in political navel gazing.

We encounter Martin first as a sailor working on a freighter. He’s a charming fellow, popular with the ladies, and exhibits a good heart, as when he rescues a young man from a brutal dockside security guard.

That act of kindness leads to his introduction to the wealthy Orsini family and their beautiful daughter, Elena (Jessica Cressy). Even Elena’s bourgeoise parents are charmed by this hunky proletarian — especially when he reveals behind his workingman exterior a probing mind, eager for education.

Bent on self-improvement, Martin takes on Elena as his tutor.   Romantic attraction follows — though the movie is coy about whether the relationship is overtly sexual.

All this takes place in a setting that could be anywhere from the 1920s to the early ’50s…the costumers and production designers are intriguingly nonspecific.

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Charlize Theron

“THE OLD GUARD” My rating: C+ (Debuts July 10 on Netflix)

118 minutes | MPAA rating: R

Netflix’s “The Old Guard” is almost instantly forgettable…but no movie that gives us Charlize Theron in kick-ass mode can be easily dismissed.

Adapted by directed by Greg Rucka from his graphic novel and competently directed by Gina Prince-Bythewood, “…Guard” stars Theron as Andy, a formidable warrior woman who runs a four-man team of freelance commandos (Marwan Kenzari, Matthias Schoenaerts,  Luca Marinelli).

When we first meet them they are “hired” by a former CIA guy (Chiwetel Ejiofor) to travel to Sudan to rescue schoolgirls kidnapped by a predatory militia. Andy and team show up armed to the teeth not only with modern automatic weapons but also with much Medieval cutlery.  No bulletproof vests…but then it turns out they don’t need them.

Because the members of this crew are immortal.  Andy is the oldest, having lived for at least 3,000 years.  The others were picked up over the centuries; apparently each is a genetic/metaphysical freak who for unknown reasons suddenly was endowed with rapid healing and near-instant resurrection.

Betrayed on their mission and left for dead (death doesn’t last long in this instance), the crew clean up the mercenaries who laid the trap (the kidnapped schoolgirls scenario was merely a ruse) and lick their rapidly healing wounds.

Andy, who has devoted her never-ending life to righting wrongs and getting rid of bad guys, has reached the point where she wonders if she’s doing any good any more. “The world isn’t getting any better,” she laments. “It’s getting worse.”

Then all four dream simultaneously about a U.S. Marine, Nile (Kiki Layne), who suffers a seemingly deadly wound in Afghanistan yet recovers within hours. Clearly, she is meant to be the next member of the team, although she greets that news with mixed emotions.  Yeah, living forever and healing instantly is pretty cool; on the other hand, remaining the same age while loved ones wither away is just plain demoralizing.

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