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Posts Tagged ‘Mila Kunis’

Mila Kunis...saving Earth

Mila Kunis…saving Earth

 

“JUPITER ASCENDING” My rating: D+

127 minutes | MPAA rating: PG-13

Fate does no favors for filmmakers by giving them early artistic or commercial success.

Two words:  Orson Welles.

Two more words: The Wachowskis.

Their latest, “Jupiter Ascending,” is borderline unwatchable.

Siblings Andy and  Larry (now Lana) Wachowski hit the big time in a big way in 1999 with “The Matrix,” which was hailed as both terrifically popular entertainment and hugely savvy moviemaking.

It’s pretty much been downhill since then: Two “Matrix” sequels of rapidly deteriorating quality, the flawed “V  for Vendetta,” the awful “Speed Racer,” the ambitious but muddled “Cloud Atlas.”

Eddie Redmayne

Eddie Redmayne

“Jupiter Ascending” throws together a bunch of ideas cobbled together from pop culture and science fiction sources, revs them up with an assault of noise and visuals, and makes some pretty good actors look like amateurs.

It begins way out in space where the three immortal Abrasax siblings — the imperiously evil Balem (Eddie Redmayne), the scheming-but-charming Titus (Douglas Booth) and the seemingly empathetic Kalique (Tuppence Middleton) — are arguing over the inheritance left by their late mother.

Among her holdings is a planet called Earth, whose residents are unaware that they soon will be harvested for the essential juice that allows the Abrasax to retain their youths indefinately.

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Liam Neeson, Olivia Wilde

Liam Neeson, Olivia Wilde

“THIRD PERSON”  My rating: C  (Opens July 11 at the Glenwood at Red Bridge and the Leawood)

137 minutes | MPAA rating: R

 

There are those who would argue that Paul Haggis’ “Crash” was a bucket of heavy-handed melodrama and that it only received the 2004 Oscar for best picture because the Academy was too cowardly or homophobic to give the award to “Brokeback Mountain.”

To those people I can only say this:  You haven’t seen heavy handed until you’ve sat through all two hours of Haggis’ latest, the artsy fartsy “Third Person.”

Taking the template of “Crash” — several intersecting stories centering on the same theme — Haggis has fashioned an emotionally remote, narratively confused yarn that goes through all the motions without ever delivering a payoff.

In Paris, novelist Michael (Liam Neeson) reunites with the fellow writer Anna (Olivia Wilde), with whom he is having a torrid if idiosyncratic affair (their relationship seems to be as much about baiting as boffing). Every now and then Michael gets a call from the wife he left behind (Kim Basinger, looking beaten down by life).

In New York City, perpetually woebegone Julia (Mila Kunis) is in the midst of a custody case.  Her ex (James Franco) won’t let her see their young son…because the last time Julia took care of him the kid almost suffocated in a plastic drycleaning bag. The penniless, luckless Julia is one of those people who can’t get anything right — not even showing up on time for meetings with her busy lawyer (Maria Bello). Mostly she mopes.

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Clive Owen, Billy Crudup

Clive Owen, Billy Crudup

“BLOOD TIES” My rating: C (Opening March 21 at the Leawood)

127 minutes | MPAA rating: R

The crime drama “Blood Ties” has a hell of a pedigree.

The cast boasts of Clive Owen, Marion Cotillard, Billy Crudup, Mina Kunis, Zoe Saldana, James Caan and Lili Taylor. Behind the camera is the French director Guillaume Canet, whose 2006 “Tell No One” was one of the most satisfying thrillers of recent years.

And yet the movie is a mutt.

Marion Cotillard

Marion Cotillard

Okay, so maybe that’s a bit extreme. “Blood Ties” is  competent. It’s just totally uninspired. There’s more oomph in five minutes of, say, “Goodfellas,” than in two hours of this effort.

The setup isn’t exactly original. Two brothers. One is a cop. The other is a crook.

Chris (Clive Owen) is finally released from prison after doing time for murder. He’s greeted at the gates by his sister (Lili Taylor) and younger brother Frank (Billy Crudup), an NYPD detective. They take Chris home for a reunion with their dying father (James Caan).

Chris claims he wants to go straight, but he has lots of baggage to deal with.  His ex-wife, Monica (Marion Cotillard) is a call girl and periodic junkie. She has managed to raise their two kids, who are now young teens and virtual strangers to Chris. But she wants money, lots of it.

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