Feeds:
Posts
Comments

Posts Tagged ‘“Pain and Glory”’

Antonio Banderas

“PAIN & GLORY” My rating: B+

113 minutes | MPAA rating: R

The dominant aural element of Pedro Almodovar’s “Pain & Glory” is a solo oboe exuding gentle melancholy.

It’s the perfect soundtrack for one of this director’s best films, a semi-autobiographical (just how autobiographical will no doubt be debated at length) attempt to capture the limits of one man’s existence.

It’s not a busy film, nor is it particularly amusing or sensational in the ways that once made Almodovar the bad boy of Spanish cinema. “Pain and Glory” starts slowly and quietly builds in intensity until it delivers an overwhelmingly emotional experience.

Antonio Banderas,  the hunky sex object of Almodovar’s earlier efforts, stars as Salvador, a sixtysomething filmmaker who hasn’t had a new project in years.  We first meet him underwater in a swimming pool…turns out that floating  is one of the few things that relieves his physical and spiritual maladies.

In an animated sequence Salvador outlines his various infirmities, which range from fused vertebrae to migraines, digestive issues, outbreaks of tendonitis and, naturally enough, depression. All this has left him a virtual recluse; on most days he sees only his devoted secretary/Girl Friday Mercedes (Nora Navas).

“Pain & Glory” unfolds simultaneously in the present and in the past.

In the here and now Salvador learns that one of his films — made more than 30 years earlier — has been restored and is being given a special screening at the national cinematheque.  This results in a reunion between the director and the film’s leading man, Alberto (Asier Etxeandia). The two had a falling out and haven’t spoken in three decades.

They tentatively reignite their friendship; perhaps even more important to Salvador, Alberto turns him on to heroin, the only drug he hasn’t tried to cope with his almost constant pain.

(more…)

Read Full Post »