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Posts Tagged ‘Viggo Mortensen’

Viggo Mortensen, Mahershala Ali

“GREEN BOOK”  My rating: B 

130 minutes | MPAA rating: PG-13

Most of us will go into “Green Book” knowing — thanks to the ads — what the film is about. We can predict with some certainty what notes it’s going to hit, what emotional buttons it’ll be pushing.

None of this detracts from the movie’s immense pleasures.

The latest from director Peter Farrelly (yes, of the raunch-humor Farrelly Brothers) is a fact-based buddy film that dabbles in race and ethnicity, the universal appeal of music, and the glory of Detroit engineering at a time when bigger was definitely better.

It’s 1962 in NYC where Tony Vallelonga (Viggo Mortensen) is bouncing drunks at the Copacabana nightclub. He’s Brooklyn Italian down to his toenails…which he can barely see thanks to his pasta-packed middle-aged spread.

Looking for a temporary gig while the club is undergoing a facelift, Tony signs up for a job driving a musician on  a tour of the Deep South.  And not just any musician.

Don Shirley (Mahershala Ali) is a Phd. pianist who studied music in the Soviet Union, writes and performs classical scores (although on this tour he’s offering a popular jazz sound) and also has doctorates in psychology and liturgical arts. (The real-life Shirley also was fluent in six languages.)

Oh, yeah. He’s black, too.

But the money is good and Tony swallows his ethnic prejudices. He kisses the Missus (Linda Cardelli) goodbye and gets behind the wheel of a big aquamarine land shark for an eight-week tour leading up to Christmas.  (more…)

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Viggo Mortensen

Viggo Mortensen

“CAPTAIN FANTASTIC” My rating: B- 

118 minutes |MPAA rating: R

There’s something phony…or at least seriously muddled…at the heart of “Captain Fantastic.”

Which doesn’t keep it from being intermittently entertaining and even borderline charming.

Matt Ross’ dramedy stars Viggo Mortensen as Ben Cash, the hippie-dippie/drill instructor Dad to six kids he’s rearing deep in the woods of the Pacific Northwest.

A typical day for these youngsters — they range in age from 5 to 17 — consists of rigorous physical exercise, survival training, hand-to-hand combat and some serious hitting the books. (And I do mean books…there’s no Internet or electricity out in the bush.)

They bathe in streams, grow food in a greenhouse and hunt the local wildlife, and at night hold family jam sessions around the campfire (Ben plays a mean guitar, not to mention the bagpipes).

Ben is what you might call a left-wing survivalist. He’s convinced of the immorality and uselessness of most modern society, and has trained his kids to parrot his views. The family doesn’t celebrate Christmas; the big day on their calendar is Noam Chomsky’s birthday, which Ben marks by presenting each of his offspring with their own very wicked-looking hunting knife.

They’re like a military unit, moving in perfect harmony whether running down a deer or shoplifting groceries.

Just because they’re growing up in the boonies doesn’t mean the Cash kids are intellectually deprived.  The  youngest of them can recite the Bill of Rights and the Declaration of Independence, and the 12-year old is reading Middlemarch. The oldest, Bodevan (George MacKay), has a handful of acceptance letters from Ivy League schools; he’s trying to decide when to inform his father of this latest triumph (since it will mean leaving the fold).

Where is Mom, you ask? We never see her — alive, anyway. We learn that she’s been gone for several months for hospital treatment. And the bulk of the film consists of the clan’s road trip to Albuquerque to attend her funeral.

The opening scenes of “Captain Fantastic” are kind of idyllic — if you can ignore the fact that Ben is raising a brood  largely unequipped to deal with contemporary society.

But once the family members find themselves dealing with the outside world — in the person of Matt’s sister-in-law (Kathryn Hahn) and her husband (Steve Zahn) and his wife’s very rich, very opinionated, and (one suspects) very Republican father (Frank Langella) — we realize just what fish out of water they are. (more…)

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Viggo Mortensen, Oscar Isaac, Kristen Dunst

Viggo Mortensen, Oscar Isaac, Kristen Dunst

“THE TWO FACES OF JANUARY”  My rating: B- (Opens Oct. 31 at the Tivoli)

96 minutes | MPAA rating: PG-13

In a cinema world filled with Bourne-ish violence and spectacular chases, there’s something quietly satisfying to be found in the work of Patricia Highsmith.  Her novels — especially those centering on the vaguely sinister Tom Ripley — were about character and motivation, not overt violence.

“The Two Faces of January” — the directing debut of acclaimed screenwriter Hossein Amini (“The Wings of the Dove,” “Drive,” “47 Ronin”) — is a minor work but a solid one, a tale of corruption and escape set against the spectacular Greek countryside.

It’s 1962 and the American couple, Chester and Collette (Viggo Mortensen, Kristen Dunst) are enjoying the pleasures of Athens.  He’s a money manager, the much younger Collette is rather obviously a trophy wife.

They hook up with another American, the young Rydal (Oscar Isaac, late of the Coen’s “Inside Llewyn Davis”), an American “poet” who sells his services as a tour guide. And because he speaks fluent Greek and can conspire with local merchants and vendors, Rydal is usually able to double-charge his clients for a bit of extra profit.

 

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