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Posts Tagged ‘Jim Crow’

Viggo Mortensen, Mahershala Ali

“GREEN BOOK”  My rating: B 

130 minutes | MPAA rating: PG-13

Most of us will go into “Green Book” knowing — thanks to the ads — what the film is about. We can predict with some certainty what notes it’s going to hit, what emotional buttons it’ll be pushing.

None of this detracts from the movie’s immense pleasures.

The latest from director Peter Farrelly (yes, of the raunch-humor Farrelly Brothers) is a fact-based buddy film that dabbles in race and ethnicity, the universal appeal of music, and the glory of Detroit engineering at a time when bigger was definitely better.

It’s 1962 in NYC where Tony Vallelonga (Viggo Mortensen) is bouncing drunks at the Copacabana nightclub. He’s Brooklyn Italian down to his toenails…which he can barely see thanks to his pasta-packed middle-aged spread.

Looking for a temporary gig while the club is undergoing a facelift, Tony signs up for a job driving a musician on  a tour of the Deep South.  And not just any musician.

Don Shirley (Mahershala Ali) is a Phd. pianist who studied music in the Soviet Union, writes and performs classical scores (although on this tour he’s offering a popular jazz sound) and also has doctorates in psychology and liturgical arts. (The real-life Shirley also was fluent in six languages.)

Oh, yeah. He’s black, too.

But the money is good and Tony swallows his ethnic prejudices. He kisses the Missus (Linda Cardelli) goodbye and gets behind the wheel of a big aquamarine land shark for an eight-week tour leading up to Christmas.  (more…)

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Octavia Spencer and Viola Davis in "The Help"

“THE HELP”  My rating: B+  (Now playing wide)

137 minutes | MPAA rating: PG-13

You can’t throw a rock at “The Help” without hitting an Oscar-worthy performance, making this adaptation of Kathryn Stockett’s best-seller one of the best-acted films since, well, “The King’s Speech.”

All that thespian power comes in handy in diverting our attention from some of the story’s more Hollywood-ish plotting and an unimaginative visual style.

OK, maybe I’m being too much of a critic here. There may be a few pedestrian elements in this sure-fire box office smash, but there’s no ignoring the pure emotional power of this story set in the Jim Crow South.

This is a movie that will set audiences to laughing, then bawling, then laughing and bawling all over again.

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