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David Myers Gregory, Vinnie Jones

“THE BIG UGLY”  My rating: C+ (Begins streaming July 31)

106 minutes |MPAA rating: R

Dramatically, there’s nothing special about “The Big Ugly,”  a crime/revenge yarn that hits the usual plot points without adding much to the genre.

What this melodrama from writer/director Scott Wiper does have going for it is its look.  The cinematographer is Jeremy Osbern, a Kansas Citian who has cut his teeth on shorts, a Kevin Willmott feature (“The Only Good Indian”) and is now breaking into the big time.

His work on “Big Ugly” is exemplary — as close to a classic noir look as color will allow.  At least half the film unfolds at night, in dimly-lit bars and bedrooms, and Osbern’s provocative use of shadow and silhouette is absolutely first rate.

The plot finds English tough guy Neelyn (Vinnie Jones) flying to America with his mob boss Harris (Malcolm McDowell). Neelyn is accompanied by his longtime girl Fiona (Leonra Crichlow), a good soul who loves him despite his drinking and murderous employment.

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