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Posts Tagged ‘Billy Howle’

Annette Bening

“THE SEAGULL” My rating:B-

98 minutes | MPAA rating: PG-13

There’s nothing particularly wrong with the new movie version of Anton Chekhov’s “The Seagull”…save that it is a movie.

Call me old-fashioned, but I believe Chekhov was meant to be seen on the stage, where the only thing between the audience and the storytellers is air.  By its very technological nature, film has a way of distancing us from the immediacy of Chekhov’s characters.

That said, this “Seagull,” directed by Michael Mayer and featuring an impressively strong cast, will serve as an introduction — a  limited introduction that hints at the greatness revealed when one views this play in the flesh.

Set on a wooded Russian estate at the turn of the last century, Chekhov’s tale studies a handful of individuals engaged in a round robin of romantic frustration.

Irina (Annette Bening) is a famous stage actress whose current lover, Boris, is a rising literary star a couple of decades her junior.  Vain, pompous and absolutely terrified of aging, Irina is nearly undone by Boris’ obvious attraction to Nina (Saoirse Ronan), the fresh-faced daughter of a nearby landowner who has her own thespian ambitions.

Nina, meanwhile, is loved by Irina’s neurotic son Konstantin (Billy Howle), an aspiring playwright and short story writer so sensitive that he appears to be in a constant state of depression or anger.

Konstantin is worshipped from afar by Masha (Elisabeth Moss), who wears black because “I’m in mourning for my life” (she’s a real barrel of monkeys) and nips steadily from a tiny flask.

Masha is loved by Mikhail (Michael Zegen), an impoverished local school teacher.

Then there’s the good-hearted Doctor Dorn (John Tenney), who has long carried a torch for Irina; he’s the unattainable love object of the housekeeper Polina (Mare Winningham).

In other words, just about everyone in sight is in love with someone who doesn’t return the sentiment.

There are other characters blessedly free of the these romantic entanglements, especially Irina’s aging bachelor brother Sorin (Brian Dennehy) and the chatty estate foreman Shamrayev (Glenn Flesher). (more…)

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Saoirse Ronan, Billy Howe

“ON CHESIL BEACH” My rating: C+ 

110 minutes | MPAA rating: R

No film with Saoirse Ronan can be easily dismissed. Nonetheless, many will find “On Chesil Beach” a long haul.

Directed by Dominic Cooke and adapted by Ian McEwan from his 2007 novel, this is a story of lost love.  More specifically, it’s about two young people utterly unprepared for the intimacies of married life who are driven apart by sexual dysfunction.

That may sound intriguing…and on the printed page it was.  The problem is that McEwan’s novel is a deep psychological study of two individuals, and deep psychology is not one of the things the movies do particularly well.

We can see the outside, but we’re not privy to what’s happening on the inside. And despite McEwan’s use of extensive flashbacks to depict the young lovers’ courtship and backgrounds, the whole enterprise feels like it’s unfolding at an emotional arm’s length.

Florence (Ronan) and Edward (Billy Howle) check into a seaside hotel for their honeymoon. They’re nervous…this is the big night, after all.  The time is the early ’60s and these two virgins are both eager and terrified.

In a series of flashbacks we see how they met and fell in love.

Edward is working class, a bit impetuous and keyed into the burgeoning pop culture of the day. His family history is far from storybook; his mother (Anne-Marie Duff) suffered a head injury when struck by a train and now devotes herself to making art in the nude.

Florence’s background is a pure 180 from Edward’s. She comes from the upper crust, plays violin in a string quartet, and married Edward despite the disdain of her snooty/pompous parents (Emily Watson, Samuel West).

He thinks Chuck Berry is awesome.  She thinks Chuck Berry is “quite, well, merry.” (That early exchange, initially amusing, carries grim portents for the couple’s compatibility.)

(more…)

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