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Posts Tagged ‘Corey Stoll’

Ryan Gosling as Neil Armstrong

“FIRST MAN” My rating: B 

141 minutes | MPAA rating: PG-13

With “First Man” wonderkid director Damien Chazelle has segued from the high artifice of a musical (“La La Land”) to a soaked-in-realism docudrama.

“First Man” is the story of Neil Armstrong, who in 1969 became the first human to walk on the surface of the moon.

The creation of NASA, setbacks in the U.S. space program and the eventual triumph of a moon landing  already have inspired the HBO miniseries “From the Earth to the Moon” and films like “The Right Stuff” and “Apollo 13.”

The emphasis from Chazelle and screenwriter Josh Singer is on momentous events as experienced by one man…and not a terribly demonstrative man at that.

The Neil Armstrong of this retelling is a jet jockey whom we first meet in a near-disastrous sub-orbital test flight of the experimental X-15 plane. Like a lot of guys who risk death as part of their daily routine, he keeps his feelings — both fear and love — pretty much to himself. Whatever  ego he possesses stays hidden…getting the job done is his primary goal.

So it’s a good thing, then, that Armstrong is played by “La La…” star Ryan Gosling, who has the skill and talent to project the inner turmoil of a man who doesn’t give away much.

The screenplay cannily focuses on Armstrong’s most traumatic experience.  It has nothing to do with  ejecting from a crashing plane and being dragged across the landscape by his wind-propelled parachute.

No, it’s the cancer death of  his young daughter, a beautiful child who, thanks to the Chazelle/Singer screenplay, appears periodically to Armstrong’s inner eye, a reminder that no matter his stoic appearance, there’s fierce emotion bubbling beneath.

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Annette Bening

“THE SEAGULL” My rating:B-

98 minutes | MPAA rating: PG-13

There’s nothing particularly wrong with the new movie version of Anton Chekhov’s “The Seagull”…save that it is a movie.

Call me old-fashioned, but I believe Chekhov was meant to be seen on the stage, where the only thing between the audience and the storytellers is air.  By its very technological nature, film has a way of distancing us from the immediacy of Chekhov’s characters.

That said, this “Seagull,” directed by Michael Mayer and featuring an impressively strong cast, will serve as an introduction — a  limited introduction that hints at the greatness revealed when one views this play in the flesh.

Set on a wooded Russian estate at the turn of the last century, Chekhov’s tale studies a handful of individuals engaged in a round robin of romantic frustration.

Irina (Annette Bening) is a famous stage actress whose current lover, Boris, is a rising literary star a couple of decades her junior.  Vain, pompous and absolutely terrified of aging, Irina is nearly undone by Boris’ obvious attraction to Nina (Saoirse Ronan), the fresh-faced daughter of a nearby landowner who has her own thespian ambitions.

Nina, meanwhile, is loved by Irina’s neurotic son Konstantin (Billy Howle), an aspiring playwright and short story writer so sensitive that he appears to be in a constant state of depression or anger.

Konstantin is worshipped from afar by Masha (Elisabeth Moss), who wears black because “I’m in mourning for my life” (she’s a real barrel of monkeys) and nips steadily from a tiny flask.

Masha is loved by Mikhail (Michael Zegen), an impoverished local school teacher.

Then there’s the good-hearted Doctor Dorn (John Tenney), who has long carried a torch for Irina; he’s the unattainable love object of the housekeeper Polina (Mare Winningham).

In other words, just about everyone in sight is in love with someone who doesn’t return the sentiment.

There are other characters blessedly free of the these romantic entanglements, especially Irina’s aging bachelor brother Sorin (Brian Dennehy) and the chatty estate foreman Shamrayev (Glenn Flesher). (more…)

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Justin Bateman, Tina Fey, Adam Driver and Corey Stoll...siblings  in "This Is Where I Leave You"

Jason Bateman, Tina Fey, Adam Driver and Corey Stoll…siblings in “This Is Where I Leave You”

“THIS IS WHERE I LEAVE YOU” My rating: B- (Opening wide on Sept. 19)

103 minutes MPAA rating: R

Families come together to celebrate or grieve.  By Hollywood’s reckoning, grieving is by far the funnier situation.

The latest example is the amusing “This Is Where I Leave You,” in which four siblings return to their Midwestern hometown to bury their father.

Mother Altman (Jane Fonda) informs them that Dad wanted everyone to sit shiva for him. Which is odd, because though born Jewish, he was an atheist.

Anyway, now the kids, their spouses, significant others, and family friends are locked into a week of quiet contemplation. No work, no phone calls, no distractions from the memory of a life well lived.

“It’s gonna be hard,” Mom says in a spectacular display of understatement. “It’s gonna be uncomfortable. You’re going to get on each other’s nerves.”

Judd (Jason Bateman) is a New  York radio producer who just found his wife (“Recitfy’s” Abigail Spencer) in bed with his shock jock boss (Dax Shepard). He explains her absence by telling everyone she’s at home with a bad back.

Wendy (Tina Fey) is saddled with a work-obsessed hubby (Aaron Lazar) who won’t get off the cell phone long enough to give her the time of day. She’s also dealing with a two year old going through an anal phase.

Paul (Cory Stoll), who still operates the family’s sporting goods store, has been trying for months to get his wife (Kathryn Hahn) pregnant. By now he’s pretty sick of sex.

And baby-of-the-family  Phillip (“Girls’” Adam Driver), an irrepressible/irresponsible wiseass, shows up with his new squeeze, a ridiculously hot lady lawyer (Connie Britton) 20 years his senior.

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