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Posts Tagged ‘Brian Dennehy’

Lucas Jaye, Brian Dennehy

“DRIVEWAYS” My rating: B+ (Now available on Video on Demand platforms)

83 minutes | No MPAA rating

Andrew Ahn’s “Driveways” sneaks up on you.  Instead of wowing us with look-at-me style it quietly seduces us with its substance and deep appreciation for its characters.

That it also features  one of the last screen appearances of the late great Brian Dennehy only makes this gently emotional effort that much more affecting.

Single mom Kathy (Hong Chau) and her eight-year-old son Cody (Lucas Jaye) have driven for several days to settle the estate of Kathy’s sister Alice.  Upon arriving at Alice’s home (the film was shot in upstate New York) they discover  her dwelling crammed floor to ceiling with junk. Unbeknownst to Kathy, Alice was a serious hoarder.

The electricity has been turned off (there’s a back bill of $900). Oh, yeah…there’s also a dead cat decaying in the second-floor bathtub.

Instead of putting the house on the market and getting out of Dodge, the pair are stuck with a Herculean cleanup effort. They end up sleeping on a screened-in porch. Kathy spends every day hauling away the detritus of her sister’s life; Cody slowly gets to know Del (Dennehy), the semi-grumpy widower living next door.

Someone with a short attention span might argue that not all that much happens in Hannah Bos and Paul Thureen’s screenplay.  No, not much. Just life.

“Driveways” is less about plot than about its characters.  Chau’s Kathy is something of a tiger mom when it comes to protecting Cody, who suffers from the double whammy of being both incredibly sensitive (he throws up a lot) and way too smart to connect with other kids (his mother calls him “Professor”).

Which is not to say she’s that tough. After a few days of cleanup Kathy sneaks off to spend an hour or two in a local tavern. She just wants to feel like an adult for one evening.

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Annette Bening

“THE SEAGULL” My rating:B-

98 minutes | MPAA rating: PG-13

There’s nothing particularly wrong with the new movie version of Anton Chekhov’s “The Seagull”…save that it is a movie.

Call me old-fashioned, but I believe Chekhov was meant to be seen on the stage, where the only thing between the audience and the storytellers is air.  By its very technological nature, film has a way of distancing us from the immediacy of Chekhov’s characters.

That said, this “Seagull,” directed by Michael Mayer and featuring an impressively strong cast, will serve as an introduction — a  limited introduction that hints at the greatness revealed when one views this play in the flesh.

Set on a wooded Russian estate at the turn of the last century, Chekhov’s tale studies a handful of individuals engaged in a round robin of romantic frustration.

Irina (Annette Bening) is a famous stage actress whose current lover, Boris, is a rising literary star a couple of decades her junior.  Vain, pompous and absolutely terrified of aging, Irina is nearly undone by Boris’ obvious attraction to Nina (Saoirse Ronan), the fresh-faced daughter of a nearby landowner who has her own thespian ambitions.

Nina, meanwhile, is loved by Irina’s neurotic son Konstantin (Billy Howle), an aspiring playwright and short story writer so sensitive that he appears to be in a constant state of depression or anger.

Konstantin is worshipped from afar by Masha (Elisabeth Moss), who wears black because “I’m in mourning for my life” (she’s a real barrel of monkeys) and nips steadily from a tiny flask.

Masha is loved by Mikhail (Michael Zegen), an impoverished local school teacher.

Then there’s the good-hearted Doctor Dorn (John Tenney), who has long carried a torch for Irina; he’s the unattainable love object of the housekeeper Polina (Mare Winningham).

In other words, just about everyone in sight is in love with someone who doesn’t return the sentiment.

There are other characters blessedly free of the these romantic entanglements, especially Irina’s aging bachelor brother Sorin (Brian Dennehy) and the chatty estate foreman Shamrayev (Glenn Flesher). (more…)

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