Posts Tagged ‘Carrie Coon’

Mackenzie Davis


86minutes | No MPAA rating

Its title suggests that “Izzy Gets the Fuck Across Town” will be a veritable cornucopia of attitude.

If only.

Having heard that Christian Papierniak’s feature debut was about a young woman desperately making her way across Los Angeles to a rendezvous with destiny, I anticipated something along the lines of Tom Tykwer’s “Run, Lola, Run” or perhaps Sean Baker’s “Tangerine.”

In the end, though, “Izzy…” lacks the manic energy or unrelenting forward momentum of those two minor classics.  In fact, it’s a bit of a drag.

Izzy (Mackenzie Davis) awakens in a stranger’s bed after what is presumed to be night of heavy action. She remembers nothing of how she got here. Her items of discarded clothing, when she collects them, consist of a short white dinner jacket (badly stained with red wine…or something worse), dress shirt, bowtie and black slacks.

Izzy apparently works for a catering service and had a very bad day.  Her new day isn’t much better.

She discovers on Instagram that her most recent boyfriend, Roger, is having a party that very night to announce his engagement to Izzy’s best friend, Whitney. Our girl sees her one chance at true love circling the crapper and decides to get across the city to stop the festivities before all is lost.

She returns to the home of her friends Casey (Meghan Lennox) and Tom (Sheldon Bailey), who have been allowing Izzy to crash on their couch.  Except that now they’re sick of her shenanigans and are kicking her out.



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Meryl Streep, Tracy Letts, Tom Hanks

“THE POST” My rating: B+ 

115 minutes | MPAA rating: PG-13

Steven Spielberg’s powers as a storyteller are so secure that not even the miscasting of one of “The Post’s” two leads can do much damage to the narrative.

This sprawling effort — it begins with a firefight in Vietnam and winds down with a firestorm over the Second Amendment — hits the ground running and rarely slows down for a breath. It’s like a Spielberg master class in taking a complicated story and telling it cleanly and efficiently.

And like other major movies about real-world journalism — “All the President’s Men” and “Spotlight” especially — “The Post” could hardly be more timely.  With a president who shows every indication that he’d love to roll back freedom of the press, this film is so relevant it hurts.

The subject, of course, is the 1971 scandal over the Pentagon Papers.  That massive study, commissioned by LBJ’s Secretary of Defense Robert McNamara, looked at American involvement in Vietnam going back to the Truman administration. It revealed that the experts had always known a land war in Vietnam was unwinnable — but had plowed ahead anyway, sacrificing billions of dollars and countless lives on what amounted to political face-saving.

The papers showed that the Johnson administration had systematically lied to the public and to Congress so as to continue the war.

McNamara suppressed the study; the public only learned of its existence when one of its authors, Rand Corporation analyst Daniel Ellsberg (Matthew Rhys), made an illegal copy of the top secret document and passed it on to The New York Times.

Today  The Washington Post sits at or near the top of American newspapers (thanks to its reporting on the Watergate Scandal in 1972-’73).  But in 1971 The Post was at best a regional paper…and not a very good one.

Its new editor, Ben Bradlee (Tom Hanks), was pushing it toward greatness, but still felt himself outclassed by the journalistic aces at The Times. He was particularly concerned about rumors that The Times was about to scoop The Post (and every other news outlet) with a major story.

That big story was the Pentagon Papers. No sooner had the first in a series of articles been published than a federal judge — at the behest of the Nixon administration — enjoined The Times from printing additional material.

Bradley’s Post, however, was under no gag order. Working back channels Bradley got his hands on another copy of the papers and prepared to publish even more revelations on the pages of The Post.


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