“WIDOWS” My rating: B
129 minutes | MPAA rating: R
“Widows” is a sprawling crime drama that wants to be something more…and almost gets there.
The latest from Brit director Steve McQueen (“12 Years a Slave,” “Shame”) is a heist film with a twist: The perps are all women forced to engage in a crime in order to survive.
In the opening moments we see a group of career criminals — their leader, Harry Rawlings, is portrayed by Liam Neeson — saying goodbye to their families and going off to “work.” That night all of them die in a fiery crash after stealing millions from a local Chicago crime lord.
They leave behind grieving women who aren’t sure how to get on with their lives. Harry’s widow, Veronica (Viola Davis), still has the couple’s posh apartment and at least a small reservoir of cash. But her love for Harry was so intense and complete that she’s a mere shell of her former self.
Linda (Michelle Rodriguez) has supported her two kids with a dress shop — though her no-good hubby was always dipping into the till and, in fact, hasn’t paid the rent for months. Trophy wife Alice (Elizabeth Debicki) is pretty much cast adrift; her often-violent spouse (Jon Bernthal) has left behind nothing but bruises.
Worse is still to come. Veronica is paid a visit by Jamal Manning (Brian Tyree Henry) whose millions, stolen by Harry’s crew, went up in flames. He now informs Veronica that she must make good on that debt…or else. She has no choice but to recruit the other widows whose lives are also in danger; using as their guide a notebook in which Harry meticulously planned future crimes, the three women prepare and execute another multi-million-dollar heist.
This would be enough plot for most films. But the screenplay by McQueen and Gillian Flynn (“Gone Girl”) is only getting started. What they envision with “Widows” is a multi-character examination of modern American urban life…and it isn’t pretty.
This is a world in which everybody is a crook, including — no, especially — politicians.
Despite his criminal enterprises, Jamal Manning is running for city alderman (hey, it’s Chicago). His opponent is the Kennedy-esqe Jack Mulligan (Colin Farrell), whose closet-racist father (Robert Duvall) has up to now kept the seat in the family despite redistricting that has left the voter pool almost 100 percent black. No matter who wins, the residents are going to get screwed.